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This book explores how deconstruction addresses the issue of futurity in the act of writing and translation. It focuses on three French expressions - venue, survenue, and voir-venir - taken from the work of Jacques Derrida, Jean-Luc Nancy, and Catherine Malabou, and offers fresh insights, proposing the possibility of a multiplicity of structures.
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JEAN-PAUL MARTINON is a lecturer in the Department of Visual Cultures at Goldsmiths College, London, UK. He was the co-founder and curator of Rear Window (1991-1998) an independent arts trust that staged a series of exhibitions and conferences in temporary sites across London. He has published numerous essays in exhibition catalogues and academic journals on museum theory and contemporary French deconstruction.
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