Original Fake
Informacje o e-booku
Introvert Frankie Neumann hates his life, and understandably so. He’s got a weird, tutu-wearing sister, Lou, and even weirder parents, Bridget and Brett—Frank Sinatra and Dr. Frank-N-Furter impersonators, respectively. And, he’s just the guy who makes pizza at Pizza Vendetta. Though he has secret artistic aspirations of his own, his over-the-top family makes him want to stay in the background. But Frankie's life is about to change—becoming way more interesting, even a little dangerous, but definitely cool.
After his shift at the pizzeria one night, Frankie meets David and Rory, cousins and errand runners for the mysterious Uncle Epic, a legendary anonymous street artist and Frankie’s absolute idol. Little could Frankie dream that his new adventures with Uncle Epic would lead to the perfect opportunity to strike back at his insufferable sister for a lifetime of torture. But things go haywire quicker than you can say “street art kicks righteous ass,” and the lines are suddenly blurred between art and Frankie’s real life.
O autorze
Kirstin Cronn-Mills is a self-proclaimed word nerd who secretly wants to be a street artist. Her first young adult novel, The Sky Always Hears Me and the Hills Don’t Mind, was a 2010 finalist for the Minnesota Book Award for Young People’s Literature. Her second novel, Beautiful Music for Ugly Children, won ALA’s Stonewall Award in 2014 as well as an IPPY silver medal for Gay/Lesbian/Bi/Trans Fiction. She writes a lot, reads as much as she can, teaches at a two-year college, and goofs around with her son, Shae, and her husband, Dan.
E. Eero Johnson (Erik T. Johnson) is a Minneapolis-based illustrator, graphic designer, and comic book artist. His illustrations have appeared in GQ, The New Yorker, Newsweek, Wired, and The New York Times, and on several book covers. His comic book projects, The Outliers and Kozmo-Knot, have gained a growing interest from the indie comic world. He lives with his wife, Tammy, sons, Emmett and Eilif, and a crazy Boston terrier.
