Robert William Chambersâ The King in Yellow (1895) has long been recognised as a landmark work in the field of the macabre, and has been described as the most important work of American supernatural fiction between Poe and the moderns. Despite the bookâs success, its author was to return only rarely to the genre during the remainder of a writing career which spanned four decades.
When Chambers did return to the supernatural, however, he displayed all the imagination and skill which distinguished The King in Yellow. He created the enigmatic and seemingly omniscient Westrel Keen, the âTracer of Lost Personsâ, and chronicled the strange adventures of an eminent naturalist who scours the earth for âextinctâ animals â and usually finds them. One of his greatest creations, perhaps, was 1920âs The Slayer of Souls, which features a monstrous conspiracy to take over the world: a conspiracy which can only be stopped by supernatural forces.
For the first time in a single volume, Hugh Lamb has selected the best of the authorâs supernatural tales, together with an introduction which provides further information about the author who was, in his heyday, called âthe most popular writer in Americaâ.
Hugh Lamb has spent over forty years delving into weird fiction. Tired of anthologies reprinting the same old stories, he tried his hand at editing his own. His main area of research is Victorian ghost stories and he has published five anthologies of these: Victorian Tales of Terror, Terror by Gaslight, Victorian Nightmares, Tales from a Gaslit Graveyard, and Gaslit Nightmares. A freelance journalist by profession, Hugh Lamb lives in Sutton, Surrey.