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This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
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Wieland Schwanebeck is Assistant Lecturer at the Institute of English and American Studies at Dresden University of Technology, Germany. He has recently edited Reassessing the Hitchcock Touch (2017).
Douglas McFarland is Retired Professor of English and Classical Studies at Flagler College, USA. He is the co-editor of John Huston as Adaptor (2017).
Douglas McFarland is Retired Professor of English and Classical Studies at Flagler College, USA. He is the co-editor of John Huston as Adaptor (2017).
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