Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up-to-date authoritative reference to all matters dealing with the state of critical musicology today.
Stan Hawkins is Professor of Musicology at the University of Oslo, Norway and adjunct professor at the University of Agder, Kristiansand, Norway. He is author of Settling the Pop Score (2002), The British Pop Dandy (2009), co-author of Prince: The Making of a Pop Music Phenomenon (2011), editor of Pop Music and Easy Listening (2011), and co-editor of Music, Space and Place (2005) (all published by Ashgate) and Essays on Sound and Vision (2007).
Stan Hawkins, Susan McClary, David Cooper, Vesa Kurkela, Peter Wicke, Richard Leppert, Antoine Hennion, John Richardson, Charles Ford, Franco Fabbri, Nicholas Cook, Allan F. Moore, Lawrence Kramer, Sheila Whiteley.