The collection is divided into four parts:
queering borders
queer spaces
hidden histories
queer thoughts, mixed media.
Queering the Popular Pitch will appeal to students of popular music, Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.
Sheila Whiteley is Chair of Popular Music at the University of Salford. She is the author of Sexing theGroove: Popular Music and Gender ,Women and Popular Music: Sexuality, Identity and Subjectivity and Too Much TooYoung: Popular Music, Age and Identity all published by Routledge.
Jennifer Rycenga is Coordinator of Women's Studies at San Jose State University in California. She coedited Frontline Feminisms: Women, War, and Resistancewith Marguerite Waller (Garland 2001). She has written for repurcussions, The Encyclopedia of Women and WorldReligion, The Garland Encyclopedia of World Music and TheEncyclopedia of Popular Music of the World..