Race Music: Black Cultures from Bebop to Hip-Hop

¡ Music of the African Diaspora āĻŦāĻ‡ 7 ¡ Univ of California Press
ā§Ģ.ā§Ļ
ā§§āĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰
āĻ‡-āĻŦā§āĻ•
294
āĻĒā§ƒāĻˇā§āĻ āĻž
āĻ‰āĻĒāĻ¯ā§āĻ•ā§āĻ¤

āĻāĻ‡ āĻ‡-āĻŦā§āĻ•ā§‡āĻ° āĻŦāĻŋāĻˇā§Ÿā§‡

This powerful book covers the vast and various terrain of African American music, from bebop to hip-hop. Guthrie P. Ramsey, Jr., begins with an absorbing account of his own musical experiences with family and friends on the South Side of Chicago, evoking Sunday-morning worship services, family gatherings with food and dancing, and jam sessions at local nightclubs. This lays the foundation for a brilliant discussion of how musical meaning emerges in the private and communal realms of lived experience and how African American music has shaped and reflected identities in the black community. Deeply informed by Ramsey's experience as an accomplished musician, a sophisticated cultural theorist, and an enthusiast brought up in the community he discusses, Race Music explores the global influence and popularity of African American music, its social relevance, and key questions regarding its interpretation and criticism.

Beginning with jazz, rhythm and blues, and gospel, this book demonstrates that while each genre of music is distinct—possessing its own conventions, performance practices, and formal qualities—each is also grounded in similar techniques and conceptual frameworks identified with African American musical traditions. Ramsey provides vivid glimpses of the careers of Dinah Washington, Louis Jordan, Dizzy Gillespie, Cootie Williams, and Mahalia Jackson, among others, to show how the social changes of the 1940s elicited an Afro-modernism that inspired much of the music and culture that followed.

Race Music illustrates how, by transcending the boundaries between genres, black communities bridged generational divides and passed down knowledge of musical forms and styles. It also considers how the discourse of soul music contributed to the vibrant social climate of the Black Power Era. Multilayered and masterfully written, Race Music provides a dynamic framework for rethinking the many facets of African American music and the ethnocentric energy that infused its creation.

āĻ°ā§‡āĻŸāĻŋāĻ‚ āĻ“ āĻĒāĻ°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻžāĻ—ā§āĻ˛āĻŋ

ā§Ģ.ā§Ļ
ā§§āĻŸāĻŋ āĻ°āĻŋāĻ­āĻŋāĻ‰

āĻ˛ā§‡āĻ–āĻ• āĻ¸āĻŽā§āĻĒāĻ°ā§āĻ•ā§‡

Guthrie P. Ramsey, Jr. is a musicologist, pianist, composer and the Edmund J. and Louise W. Kahn Term Professor of Music at the University of Pennsylvania.

āĻ‡-āĻŦā§āĻ•ā§‡ āĻ°ā§‡āĻŸāĻŋāĻ‚ āĻĻāĻŋāĻ¨

āĻ†āĻĒāĻ¨āĻžāĻ° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻœāĻžāĻ¨āĻžāĻ¨āĨ¤

āĻĒāĻ āĻ¨ āĻ¤āĻĨā§āĻ¯

āĻ¸ā§āĻŽāĻžāĻ°ā§āĻŸāĻĢā§‹āĻ¨ āĻāĻŦāĻ‚ āĻŸā§āĻ¯āĻžāĻŦāĻ˛ā§‡āĻŸ
Android āĻāĻŦāĻ‚ iPad/iPhone āĻāĻ° āĻœāĻ¨ā§āĻ¯ Google Play āĻŦāĻ‡ āĻ…ā§āĻ¯āĻžāĻĒ āĻ‡āĻ¨āĻ¸ā§āĻŸāĻ˛ āĻ•āĻ°ā§āĻ¨āĨ¤ āĻāĻŸāĻŋ āĻ†āĻĒāĻ¨āĻžāĻ° āĻ…ā§āĻ¯āĻžāĻ•āĻžāĻ‰āĻ¨ā§āĻŸā§‡āĻ° āĻ¸āĻžāĻĨā§‡ āĻ…āĻŸā§‹āĻŽā§‡āĻŸāĻŋāĻ• āĻ¸āĻŋāĻ™ā§āĻ• āĻšā§Ÿ āĻ“ āĻ†āĻĒāĻ¨āĻŋ āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻŦāĻž āĻ…āĻĢāĻ˛āĻžāĻ‡āĻ¨ āĻ¯āĻžāĻ‡ āĻĨāĻžāĻ•ā§āĻ¨ āĻ¨āĻž āĻ•ā§‡āĻ¨ āĻ†āĻĒāĻ¨āĻžāĻ•ā§‡ āĻĒā§œāĻ¤ā§‡ āĻĻā§‡ā§ŸāĨ¤
āĻ˛ā§āĻ¯āĻžāĻĒāĻŸāĻĒ āĻ“ āĻ•āĻŽā§āĻĒāĻŋāĻ‰āĻŸāĻžāĻ°
Google Play āĻĨā§‡āĻ•ā§‡ āĻ•ā§‡āĻ¨āĻž āĻ…āĻĄāĻŋāĻ“āĻŦā§āĻ• āĻ†āĻĒāĻ¨āĻŋ āĻ•āĻŽā§āĻĒāĻŋāĻ‰āĻŸāĻžāĻ°ā§‡āĻ° āĻ“ā§Ÿā§‡āĻŦ āĻŦā§āĻ°āĻžāĻ‰āĻœāĻžāĻ°ā§‡ āĻļā§āĻ¨āĻ¤ā§‡ āĻĒāĻžāĻ°ā§‡āĻ¨āĨ¤
eReader āĻāĻŦāĻ‚ āĻ…āĻ¨ā§āĻ¯āĻžāĻ¨ā§āĻ¯ āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸
Kobo eReaders-āĻāĻ° āĻŽāĻ¤ā§‹ e-ink āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻĒāĻĄāĻŧāĻ¤ā§‡, āĻ†āĻĒāĻ¨āĻžāĻ•ā§‡ āĻāĻ•āĻŸāĻŋ āĻĢāĻžāĻ‡āĻ˛ āĻĄāĻžāĻ‰āĻ¨āĻ˛ā§‹āĻĄ āĻ“ āĻ†āĻĒāĻ¨āĻžāĻ° āĻĄāĻŋāĻ­āĻžāĻ‡āĻ¸ā§‡ āĻŸā§āĻ°āĻžāĻ¨ā§āĻ¸āĻĢāĻžāĻ° āĻ•āĻ°āĻ¤ā§‡ āĻšāĻŦā§‡āĨ¤ āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ°āĻ•āĻžāĻ°ā§€āĻ° āĻ‰āĻĻā§āĻĻā§‡āĻļā§āĻ¯ā§‡ āĻ¤ā§ˆāĻ°āĻŋ āĻ¸āĻšāĻžā§ŸāĻ¤āĻž āĻ•ā§‡āĻ¨ā§āĻĻā§āĻ°āĻ¤ā§‡ āĻĻā§‡āĻ“ā§ŸāĻž āĻ¨āĻŋāĻ°ā§āĻĻā§‡āĻļāĻžāĻŦāĻ˛ā§€ āĻ…āĻ¨ā§āĻ¸āĻ°āĻŖ āĻ•āĻ°ā§‡ āĻ¯ā§‡āĻ¸āĻŦ eReader-āĻ āĻĢāĻžāĻ‡āĻ˛ āĻĒāĻĄāĻŧāĻž āĻ¯āĻžāĻŦā§‡ āĻ¸ā§‡āĻ–āĻžāĻ¨ā§‡ āĻŸā§āĻ°āĻžāĻ¨ā§āĻ¸āĻĢāĻžāĻ° āĻ•āĻ°ā§āĻ¨āĨ¤