Plastic and reconstructive surgery as evident in the work of Jack Penn is intertwined with this narrative of apartheid, modernisation and reform. It demonstrated Western prowess, with medicine and development a perceived bulwark against Communism. It also served as a means for the modernising apartheid state to initiate, maintain or enhance alliances with other states in the facing of mounting isolation and international condemnation.
The career of Jack Penn, then, is a lens through which the contradictions, complexities and anxieties of twentieth-century South Africa are exposed.