Refiguring Revolutions: Aesthetics and Politics from the English Revolution to the Romantic Revolution

· Univ of California Press
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Refiguring Revolutions presents an original and interdisciplinary reassessment of the cultural and political history of England from 1649 to 1789. Bypassing conventional chronologies and traditional notions of disciplinary divides, editors Kevin Sharpe and Steven Zwicker frame a set of new agendas for, and suggest new approaches to, the study of seventeenth- and eighteenth-century England.

Customary periodization by dynasty and century obscures the aesthetic and cultural histories that were enacted between and even by the English Civil Wars and the French Revolution. The authors of the essays in this volume set about returning aesthetics to the center of the master narrative of politics. They focus on topics and moments that illuminate the connection between aesthetic issues of a private or public nature and political culture. Politics between the Puritan Revolution and the Romantic Revolution, these authors argue, was a set of social and aesthetic practices, a narrative of presentations, exchanges, and performances as much as it was a story of monarchies and ministries.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

Autoren-Profil

Kevin Sharpe is Professor of History at the University of Southampton, England. Author of The Personal Rule of Charles the First (1996), he coedited with Steven Zwicker the influential Politics of Discourse (California, 1987). Steven N. Zwicker, whose most recent book is Lines of Authority: Politics and English Literary Culture, 1649-1689 (1993), is Professor of English at Washington University, St. Louis.

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