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Treasure Island is an adventure novel by Scottish author Robert Louis Stevenson, narrating a tale of "buccaneers and buried gold". First published as a book on 23 May 1883, it was originally serialized in the children's magazine Young Folks between 1881 and 1882 under the title Treasure Island or, the mutiny of the Hispaniola with Stevenson adopting the pseudonym Captain George North.
The novel opens in the seaside village of Black Hill Cove in south-west England (to Stevenson, in his letters and in the related fictional play Admiral Guinea, near Barnstaple, Devon) in the mid-18th century. Stevenson deliberately leaves the exact date of the novel obscure, the narrator, James "Jim" Hawkins, the young son of the owners of the Admiral Benbow Inn, writing that he takes up his pen "in the year of grace 17—." An old drunken seaman named Billy Bones arrives at the inn singing "that old sea-song"
"Fifteen men on the dead man's chest--Yo-ho-ho, and a bottle of rum!"
Bones becomes a long-term lodger at the inn, only paying for about the first week of his stay. Jim quickly realizes that Bones is in hiding, and that he particularly dreads meeting an unidentified seafaring man with one leg. Some months later, Bones is visited by a mysterious sailor named Black Dog. Their meeting turns violent, Black Dog flees and Bones suffers a stroke. While Jim cares for him, Bones confesses that he was once the mate of a notorious late pirate, Captain Flint, and that his old crewmates want Bones' sea chest. Some time later, another of Bones' crew mates, a blind man named Pew, appears at the inn and forces Jim to lead him to Bones. Pew gives Bones a paper. After Pew leaves, Bones opens the paper to discover it is marked with the Black Spot, a pirate summons, with the warning that he has until ten o'clock to meet their demands. Bones drops dead of apoplexy (in this context, a stroke) on the spot. Jim and his mother open Bones' sea chest to collect the amount due to them for Bones' room and board, but before they can count out the money that they are owed, they hear pirates approaching the inn and are forced to flee and hide, Jim taking with him a mysterious oilskin packet from the chest. The pirates, led by Pew, find the sea chest and the money, but are frustrated that there is no sign of "Flint's fist". Customs men approach and the pirates escape to their vessel (all except for Pew, who is accidentally run down and killed by the agents' horses).
Published as a 'shilling shocker', Robert Louis Stevenson's dark psychological fantasy gave birth to the idea of the split personality. The story of respectable Dr Jekyll's strange association with 'damnable young man' Edward Hyde; the hunt through fog-bound London for a killer; and the final revelation of Hyde's true identity is a chilling exploration of humanity's basest capacity for evil.
The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.
This edition includes all 16 of N.C. Wyeth’s full-color paintings for the 1911 edition of the book, as well as 44 drawings by Louis Rhead for his 1915 edition. Included as an addendum at the end of the book is the essay, “My First Book: Treasure Island” by Robert Louis Stevenson on the writing of his classic. Also included are a helpful glossary of nautical and historical terms, an introduction, author bio, and bibliography.
The story begins when a strange, crusty old pirate comes to stay with Jim Hawkins’ family at the Admiral Benbow Inn. The map he carries with him will put them all in danger and be the impetus for young Jim’s perilous journey with the wily Long John Silver in search of treasure on the high seas.
'All human beings, as we meet them, are commingled out of good and evil.'
After taking an elixir created in his laboratory, mild mannered Dr Jekyll is transformed into the cruel and despicable Mr Hyde. Although seemingly harmless at first, things soon descend into chaos and Jekyll quickly realises there is only one way to stop Hyde. Stevenson's quintessential novella of the Victorian era epitomizes the conflict between psychology, science and religious morality, but is fundamentally a triumphant study of the duality of human nature.