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The third book of the swashbuckling Rowankind trilogy follows privateer and witch Ross Tremayne as she navigates the magical world of alternate 19th-century Britain.
What do you do with a feral wolf shapechanger who won't face up to his responsibilities? How do you contain magical creatures accidentally loosed into Britain's countryside? How do you convince a crew of barely-reformed pirates to go straight when there's smuggling to be done? How do you find a lost notebook full of deadly spells while keeping out of the clutches of its former owner? How do you mediate between a mad king and the seven lords of the Fae?
Ross and Corwen, she a witch and he a shapechanger, have several problems to solve but they all add up to the same thing. How do you make Britain safe for magic users?
It's 1802. A tenuous peace with France is making everyone jumpy. The Fae, and therefore Ross and Corwen at their behest, have unfinished business with Mad King George, who may not be as mad as everyone thinks--or if he is, he's mad in a magical way. The Fae have left mankind alone up to now because they don't care to get involved with mortals, but don't be fooled into thinking they're harmless.
What do you do with a feral wolf shapechanger who won't face up to his responsibilities? How do you contain magical creatures accidentally loosed into Britain's countryside? How do you convince a crew of barely-reformed pirates to go straight when there's smuggling to be done? How do you find a lost notebook full of deadly spells while keeping out of the clutches of its former owner? How do you mediate between a mad king and the seven lords of the Fae?
Ross and Corwen, she a witch and he a shapechanger, have several problems to solve but they all add up to the same thing. How do you make Britain safe for magic users?
It's 1802. A tenuous peace with France is making everyone jumpy. The Fae, and therefore Ross and Corwen at their behest, have unfinished business with Mad King George, who may not be as mad as everyone thinks--or if he is, he's mad in a magical way. The Fae have left mankind alone up to now because they don't care to get involved with mortals, but don't be fooled into thinking they're harmless.
Quelques mots sur l'auteur
Jacey Bedford has a string of short story publication credits on both sides of the Atlantic. She is the co-organizer of the UK Milford's Writers' Conference, a peer-to-peer workshopping week for published SF writers. She lives a thouand feet up on the edge of the Yorkshire Pennines in a two hundred year stone house. She has been a librarian, postmistress, rag-doll maker, and a folk singer in an a cappella trio. She can be found at jaceybedford.co.uk or on Twitter at @JaceyBedford.
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