The Book Of Were-Wolves

Read Books Ltd
2
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Originally published in 1865, this highly unusual book will appeal to those who hold a fascination for all that is mythical and mystical. Its 265 pages contain a wealth of information and anecdote on the myth of the were-wolf. A captivating read for any folklorist. Contents Include; Preface; Introductory; Lycanthropy among the Ancients; The Were-wolf in the North; The Origin of the Scandinavian Were-wolf; The Were-wolf in the Middle Ages; A Chapter of Horrors; Jean Grenier; Folk-lore Relating to Were-wolves; Natural Causes of Lycanthropy; Mythological Origin of the Were-wolf Myth; The Maréchal de Retz – The Investigation of Charges, The Trial, The Sentence and Execution; A Galician Were-wolf; Anomalous Case – The Human Hyena; A Sermon on Were-wolves. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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Additional Information

Publisher
Read Books Ltd
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Published on
Apr 16, 2013
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Pages
276
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ISBN
9781446549391
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Language
English
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Genres
History / General
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Content Protection
This content is DRM protected.
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Read Aloud
Available on Android devices
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Eligible for Family Library

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Doug Stanton
“A thrilling action ride of a book” (The New York Times Book Review)—from Jerry Bruckheimer in theaters everywhere January 19, 2018—the New York Times bestselling, true-life account of a US Special Forces team deployed to dangerous, war-ridden Afghanistan in the weeks following 9/11.

Previously published as Horse Soldiers, 12 Strong is the dramatic account of a small band of Special Forces soldiers who secretly entered Afghanistan following 9/11 and rode to war on horses against the Taliban. Outnumbered forty to one, they pursued the enemy army across the mountainous Afghanistan terrain and, after a series of intense battles, captured the city of Mazar-i-Sharif. The bone-weary American soldiers were welcomed as liberators as they rode into the city. Then the action took a wholly unexpected turn.

During a surrender of six hundred Taliban troops, the Horse Soldiers were ambushed by the would-be POWs. Dangerously overpowered, they fought for their lives in the city’s immense fortress, Qala-i-Janghi, or the House of War. At risk were the military gains of the entire campaign: if the soldiers perished or were captured, the entire effort to outmaneuver the Taliban was likely doomed.

“A riveting story of the brave and resourceful American warriors who rode into Afghanistan after 9/11 and waged war against Al Qaeda” (Tom Brokaw), Doug Stanton’s account touches the mythic. The soldiers on horses combined ancient strategies of cavalry warfare with twenty-first-century aerial bombardment technology to perform a seemingly impossible feat. Moreover, their careful effort to win the hearts of local townspeople proved a valuable lesson for America’s ongoing efforts in Afghanistan. With “spellbinding...action packed prose...The book reads more like a novel than a military history...the Horse Soldier’s secret mission remains the US military’s finest moment in what has since arguably been a muddled war” (USA TODAY).
Sabine Baring-Gould
Heigh! for a badger-skin waistcoat like that of Hillary Nanspian of Chimsworthy! What would not I give to be the owner of such a waistcoat? Many a covetous glance was cast at that waistcoat in the parish church of Bratton Clovelly, in the county of Devon, on Sunday, where it appeared during public worship in a pew; and when the parson read the Decalogue, many a heart was relieved to learn that the prohibition against covetousness did not extend to badger-skin waistcoats. That waistcoat made of the skin of a badger Hillary Nanspian had himself drawn and killed. In colour it was silver-grey graduating to black. The fur was so deep that the hand that grasped it sank into it. The waistcoat was lined with red, and had flaps of fur to double over the breast when the wind lay in the east and the frost was cruel. When the wind was wet and warm, the flaps were turned back, exposing the gay crimson lining, and greatly enhancing its beauty. The waistcoat had been constructed for Hillary Nanspian by his loving wife before she died.

Hillary Nanspian of Chimsworthy was a big, brisk, florid man, with light grey eyes. His face was open, round, hearty, and of the colour of a ribstone pippin. He was, to all appearance, a well-to-do man. But appearances are not always to be trusted. Chimsworthy, where he lived, was a farm of two hundred acres; the subsoil clay, some of the land moor, and more bog; but the moor was a fine place for sheep, and the bog produced pasture for the young stock when the clay grass land was drought-dry. Hillary had an orchard of the best sorts of apples grown in the West, and he had a nursery of apples, of grafts, and of seedlings. When he ate a particularly good apple, he collected the pips for sowing, put them in a paper cornet, and wrote thereon, 'This here apple was a-eated of I on ——,' such and such a day, 'and cruel good he were too.' (Cruel, in the West, means no more than 'very.')

The farm of Chimsworthy had come to Nanspian through his wife, who was dead. His brother-in-law was Taverner Langford of Langford. Taverner's mother had been a Hill, Blandina Hill, heiress of Chimsworthy, and it went to her daughter Blandina, who carried it when she married to her Cornish husband, Hillary Nanspian.

Arthur Conan Doyle
Who would ever say no to the master story tellers when they have to offer their darkest tingling Christmas mysteries and horror tales as a holiday present: The Silver Hatchet (Arthur Conan Doyle) What the Shepherd Saw: A Tale of Four Moonlight Nights (Thomas Hardy) Markheim (Robert Louis Stevenson) The Wolves of Cernogratz (Saki) Mustapha (Sabine Baring-Gould) The Story of a Disappearance and an Appearance (M.R. James) The Christmas Banquet (Nathaniel Hawthorne) The Ghost’s Touch (Fergus Hume) Glámr (Sabine Baring-Gould) The Ghosts at Grantley (Leonard Kip) A Terrible Christmas Eve (Lucie E. Jackson) Ghosts and Family Legends (Catherine Crowe) The Ghost: A Christmas Story (William Douglas O’Connor) Thurlow’s Christmas Story (John Kendrick Bangs) The Mystery of My Grandmother’s Hair Sofa (John Kendrick Bangs) The Abbot’s Ghost; or Maurice Treherne’s Temptation (Louisa M. Alcott) Old Applejoy's Ghost (Frank R. Stockton) Wolverden Tower (Grant Allen) The Christmas-Eve Vigil (James Bowker) Told After Supper (Jerome K. Jerome) The Box with the Iron Clamps (Florence Marryat) Joseph: A Story (Katherine Rickford) The Story of the Goblins Who Stole a Sexton (Charles Dickens) The Ghost of Christmas Eve (J. M. Barrie) The Dead Sexton (Joseph Sheridan Le Fanu) Uncle Cornelius His Story (George MacDonald) The Grave by the Handpost (Thomas Hardy) Number Ninety (Bithia Mary Croker) At Chrighton Abbey (Mary Elizabeth Braddon) The Haunted Man (Charles Dickens) Doctor Marigold’s Prescriptions (Charles Dickens) The Christmas Carol (Charles Dickens) The Black Bag Left on a Door-Step (Catherine L. Pirkis) Between the Lights (E. F. Benson) Transition (Algernon Blackwood) The Kit-Bag (Algernon Blackwood)
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