Scholar of Magic

· Art of the Adept Sách 3 · Michael Manning
4,8
223 bài đánh giá
Sách điện tử
488
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Đủ điều kiện

Giới thiệu về sách điện tử này

The looming war with Darrow has faded to a distant shadow, but Will’s continued studies at Wurthaven are disrupted by an unforeseen threat. Selene’s absence has raised suspicion among her friends and Will’s father-in-law, the king, who is now directing his ire at the obvious culprit, his daughter’s new husband.  Meanwhile the citizens of Cerria have begun disappearing and a shadowy figure is stalking Will’s sister, Laina.


With his power pushed to the limit, Will finds himself attempting to preserve a family that rejected him and trying to save a city whose king might rather see him dead. Desperate for help, he may not be able to trust the powers that have supported him in the past, for though the fae could be the source of the catastrophe; they only offer their assistance—for a price.


Evil stalks the streets of Cerria at night, seeking the blood of his family, the destruction of the city, and the death of the king. Will may have to decide what is most important for Terabinia:  preserving the people of its most prosperous city, or saving its questionable ruler?

Xếp hạng và đánh giá

4,8
223 bài đánh giá

Giới thiệu tác giả

Michael Manning was born in Cleveland, Texas and spent his formative years there, reading fantasy and science fiction, concocting home grown experiments in his backyard, and generally avoiding schoolwork.

 

Eventually he went to college, starting at Sam Houston State University, where his love of beer blossomed and his obsession with playing role-playing games led him to what he calls 'his best year ever' and what most of his family calls 'the lost year'.

 

Several years and a few crappy jobs later, he decided to pursue college again and was somehow accepted into the University of Houston Honors program (we won't get into the particulars of that miracle). This led to a degree in pharmacy and it followed from there that he wound up with a license to practice said profession.

 

Unfortunately, Michael was not a very good pharmacist. Being relatively lawless and free spirited were not particularly good traits to possess in a career focused on perfection, patient safety, and the letter-of-the-law. Nevertheless, he persisted and after a stint as a hospital pharmacy manager wound up as a pharmacist working in correctional managed care for the State of Texas.

 

He gave drugs to prisoners.

 

After a year or two at UTMB he became bored and taught himself entirely too much about networking, programming, and database design and administration. At first his supervisors warned him (repeatedly) to do his assigned tasks and stop designing programs to help his coworkers do theirs, but eventually they gave up and just let him do whatever he liked since it seemed to be generally working out well for them.

 

Ten or eleven years later and he got bored with that too. So he wrote a book. We won't talk about where he was when he wrote 'The Blacksmith's Son', but let's just assume he was probably supposed to be doing something else at the time.

 

Some people liked the book and told other people. Now they won't leave him alone.

 

After another year or two, he decided to just give up and stop pretending to be a pharmacist/programmer, much to the chagrin of his mother (who had only ever wanted him to grow up to be a doctor and had finally become content with the fact that he had settled on pharmacy instead).

 

Michael's wife supported his decision, even as she stubbornly refused to believe he would make any money at it. It turned out later that she was just telling him this because she knew that nothing made Michael more contrary than his never ending desire to prove her wrong. Once he was able to prove said fact she promptly admitted her tricky ruse and he has since given up on trying to win.

 

Today he lives at home with his stubborn wife, teenage twins, a giant moose-poodle, two yorkies, a green-cheeked conure, a massive prehistoric tortoise, and a head full of imaginary people. There are also some fish, but he refuses to talk about them.

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