Six Preludes, Op.83 for Classical Guitar

Mauro Giuliani‏

فروردین ۲۰۲۱ · Clear Note Publications

درباره این ای-کتاب

With the exception of the No. 2 Prelude in A Minor, we have followed the original notation for these pieces closely. This second Prelude, a Vivace utilizing primarily 32nd notes, was fairly crowded in the original handwritten manuscript. By changing the direction of the highest voice, flat-beaming the 32nd note figures, and relocating some 32nd rests to the center of the staff, we were able to create a less cluttered score.

With the exception of a few details that were in the original score there are no fingerings for the right or left hands.

Working through these pieces develops both technique and velocity, while giving you insights into Giuliani's writing style and the harmonic progressions of classical era works.

درباره نویسنده

Giuliani's achievements as a composer were numerous. Giuliani's 150 compositions for guitar with opus number constitute the nucleus of the nineteenth-century guitar repertory. He composed extremely challenging pieces for solo guitar as well as works for orchestra and Guitar-Violin and Guitar-Flute duos.

Outstanding pieces by Giuliani include his three guitar concertos (op. 30, 36 and 70); a series of six fantasias for guitar solo, op. 119–124, based on airs from Rossini operas and entitled the "Rossiniane"; several sonatas for violin and guitar and flute and guitar; a quintet, op. 65, for strings and guitar; some collections for voice and guitar, and a Grand Overture written in the Italian style. He also transcribed many symphonic works, both for solo guitar and guitar duo. One such transcription arranges the overture to The Barber of Seville by Rossini, for two guitars. There are further numerous didactic works, among which is a method for guitar that is used frequently by teachers to this day.

Today, Giuliani's concertos and solo pieces are performed by professionals and still demonstrate the ability of the guitarist to play the piece, as well as Giuliani's natural ability as a composer for the classical guitar.