Space Tug: Leinster'S Science Fiction
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To the world at large, of course, it was just another day. A different sort entirely at different places on the great, round, rolling Earth, but nothing out of the ordinary. It was Tuesday on one side of the Date Line and Monday on the other. It was so-and-so's wedding anniversary and so-and-so's birthday and another so-and-so would get out of jail today. It was warm, it was cool, it was fair, it was cloudy. One looked forward to the future with confidence, with hope, with uneasiness or with terror according to one's temperament and one's geographical location and past history. To most of the human race this was nothing whatever but just another day.
But to Joe Kenmore it was a most particular day indeed. Here, it was the gray hour just before sunrise and already there were hints of reddish colorings in the sky. It was chilly, and somehow the world seemed still and breathless. To Joe, the feeling of tensity marked this morning off from all the other mornings of his experience.
He got up and began to dress, in Major Holt's quarters back of that giant steel half-globe called the Shed, near the town of Bootstrap. He felt queer because he felt so much as usual. By all the rules, he should have experienced a splendid, noble resolution and a fiery exaltation, and perhaps even an admirable sensation of humility and unworthiness to accomplish what was expected of him today. And, deep enough inside, he felt suitable emotion. But it happened that he couldn't take time to feel things adequately today....
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Murray Leinster (June 16, 1896 – June 8, 1975) was a nom de plume of William Fitzgerald Jenkins, an award-winning American writer of science fiction and alternate history. He wrote and published more than 1,500 short stories and articles, 14 movie scripts, and hundreds of radio scripts and television plays.
Leinster was born in Norfolk, Virginia, the son of George B. Jenkins and Mary L. Jenkins. His father was an accountant. Although both parents were born in Virginia, the family lived in Manhattan in 1910, according to the 1910 Federal Census.
He began his career as a freelance writer before World War I; he was two months short of his 20th birthday when his first story, "The Foreigner", appeared in the May 1916 issue of H. L. Mencken's literary magazine The Smart Set. Over the next three years, Leinster published ten more stories in the magazine. During and after World War I, he began appearing in pulp magazines like Argosy, Snappy Stories, and Breezy Stories. He continued to appear regularly in Argosy into the 1950s. When the pulp magazines began to diversify into particular genres in the 1920s, Leinster followed suit, selling jungle stories to Danger Trails, westerns to West and Cowboy Stories, detective stories to Black Mask and Mystery Stories, horror stories to Weird Tales, and even romance stories to Love Story Magazine under the pen name Louisa Carter Lee.
Leinster's first science fiction story, "The Runaway Skyscraper", appeared in the February 22, 1919 issue of Argosy, and was reprinted in the June 1926 issue of Hugo Gernsback's first science fiction magazine, Amazing Stories. In the 1930s, he published several science fiction stories and serials in Amazing and Astounding Stories (the first issue of Astounding included his story "Tanks"). He continued to appear frequently in other genre pulps such as Detective Fiction Weekly and Smashing Western, as well as Collier's Weekly beginning in 1936 and Esquire starting in 1939.
Leinster is credited with the invention of parallel universe stories. Four years before Jack Williamson's The Legion of Time came out, Leinster published his "Sidewise in Time" in the June 1934 issue of Astounding. Leinster's vision of extraordinary oscillations in time ('sidewise in time') had a long-term impact on other authors, for example Isaac Asimov's "Living Space", "The Red Queen's Race", and The End of Eternity.
