Spain Vol. 2

Spain

Book 2
Fantagraphics Books
Free sample

Spain Rodriguez’s most memorable characters are ferocious femmes fatale: gorgeous and deadly women who can slash and slaughter as fast as any man. You’ll find them all in this volume ― Nasty Elaine, Mara, Mistress of the Void, Sangrella, and his ultimate independent woman, Big Bitch. This also includes a selection of interviews with strong women whom he loved and who inspired him. These stories appeared in ZapWeirdoThrasher Comics, and many other publications as part of Spain’s prolific contributions to the comic medium over a six-decade career.
Read more
Collapse

About the author

Manuel Rodrigueznbsp;(1940-2012), better known as Spain, was one of the great Americanunderground and socially conscious cartoonists.

Patrick Rosenkranz is widely acknowledged as one of the premiere scholars of the underground comix movement. His books include Rebel Visions (the most widely-heralded history of the era) and The Artist Himself: A Rand Holmes Retrospective. He lives in Portland, OR.

Read more
Collapse
Loading...

Additional Information

Publisher
Fantagraphics Books
Read more
Collapse
Published on
Nov 21, 2018
Read more
Collapse
Pages
280
Read more
Collapse
ISBN
9781683961437
Read more
Collapse
Read more
Collapse
Best For
Read more
Collapse
Language
English
Read more
Collapse
Content Protection
This content is DRM protected.
Read more
Collapse
Eligible for Family Library

Reading information

Smartphones and Tablets

Install the Google Play Books app for Android and iPad/iPhone. It syncs automatically with your account and allows you to read online or offline wherever you are.

Laptops and Computers

You can read books purchased on Google Play using your computer's web browser.

eReaders and other devices

To read on e-ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help center instructions to transfer the files to supported eReaders.
The first major historical work about the most influential artistic movement in America since the Beat Generation revolutionized literature. A provocative chronicle of the guerrilla art movement that changed comics forever, this comprehensive book follows the movements of 50 artists from 1967 to 1972, the heyday of the underground comix movement. Through interviews with the participants and other materials, Rebel Visions is the most intimate look ever at the people and events that forged the phenomenon known as underground comix, from New York to San Francisco, from the corn belt to deep in the heart of Texas, beginning that day in 1968 when R. Crumb debuted Zap #1 from a baby carriage on Haight Ashbury Street. Rosenkranz has spent 20 years researching this book and acquiring the cooperation of every significant underground cartoonist who worked throughout this period, including Crumb, Gilbert Shelton (Fabulous Furry Freak Brothers), Bill Griffith (Zippy the Pinhead), Art Spiegelman (Maus), Jack Jackson, S. Clay Wilson, Robert Williams, and many more. The book is illustrated with many never-before-seen drawings by all of the underground cartoonists, and exclusive photographs. The book focuses on San Francisco's Haight-Ashbury district, where Crumb and the rest of his Zap cronies commingled with the rest of the city's counter-cultural scene, notably musicians like the Grateful Dead and Janis Joplin. The counterculture was omnipresent in San Francisco for those few years, with underground tabloids like Yellow Dog and Gothic Blimp Works steering the zeitgeist out-of-control, along with the music, political, and psychedelic drug scenes, all of which found a group of unlikely revolutionaries who drew cartoons right at the epicenter. "It did feel like this must have been what the cubists were going through, like all the magic of being in Paris for the post-Impressionistic movement did feel somehow like being in San Francisco in the early 1970s." Art Spiegelman, from Rebel Visions "Like any utopian experiment, ideals were challenged and rewritten in the face of the daily grind. It was a harsh life lesson for me, but there were lots of laughs and some beautiful times, too..." Justin Green, from Rebel Visions "Underground comics were more like art and less like comics." Gilbert Shelton, from Rebel Visions
©2019 GoogleSite Terms of ServicePrivacyDevelopersArtistsAbout Google|Location: United StatesLanguage: English (United States)
By purchasing this item, you are transacting with Google Payments and agreeing to the Google Payments Terms of Service and Privacy Notice.