San Francisco activist Christopher Kalman has little to show for years spent organizing non-violent marches, speak-outs, blockades, and shutdowns for social and environmental justice. When a shadowy eco-saboteur proposes an attack on genetically engineered agriculture, Christopher is ripe to be drawn into a more dangerous game. His certainty that humankind stands on the brink of ecological ruin drives Christopher to reckless acts and rash alliances, pitting grave personal risk against conscientious passion
A thirty-something, underemployed layout artist, Christopher lives in a ramshackle activist collective-the Triangle-named for its Duboce Triangle neighborhood in the heart of San Francisco. Christopher and his chosen family are determined to carry on the good fight; yet the raging war in Iraq, begun in the face of peaceful protests by millions across the globe, has shaken the Triangle's faith in the value of nonviolent dissent.
Chagall, an eco-saboteur practiced in the art of demolition, partners with an anonymous hacker who proposes an online media blitz he can detonate "at thermonuclear scale" to augment Chagall's brick-and-mortar spectacle. Chagall invites Christopher into their developing plot to deal genetically-engineered Frankenfood a serious blow. Assured that no one will be hurt, and lured by the promise of a vast audience, Christopher contemplates writing the mother of all political manifestos.
Allison Rayle leads the Triangle's preparations to blockade the Bay Bridge on the opening day of an international biotech meeting, to protest the environmental risks of releasing genetically modified organisms into the wild. Their aim: to hang a massive banner from the bridge's westernmost tower at the peak of rush hour.
When the Triangle collides with Chagall's plot to destroy a midwestern research lab, the fallout threatens everything and everyone Christopher has ever loved.
Steve Masover is a native of Chicago, and currently lives and works in Berkeley, California. Consequence, his first novel, was published in September 2015.Masover's work has appeared in Garo, Stoneboat Literary Journal, Five Fingers Review, Christopher Street, and the anthology Our Mothers' Spirits (HarperCollins, 1997). Masover co-authored the screenplay of the anti-apartheid movement documentary "Soweto to Berkeley" (Cinema Guild, 1988).
When Henry Hatten wangles a job as communications director for Nebraska SenatorTom Peele's presidential campaign, he breathes a huge sigh of relief. Smarting over a recent gubernatorial campaign in which his pulling a political punch may have cost his boss the race, he's thrilled to be back in action.
This time around, Henry is determined to shuck his ethical qualms. But he soon finds he's facing more than he imagined. The new gig turns out to be rife with scandal and corruption— just the kind of politics Henry so fervently sought to banish. Events go from bad to worse as the depths of greed emerge, tracking the acceleration and excitement in the campaign itself. Led by a ruthless chairman and filled with warring aides, hired thugs, fractious union bosses, and snooping reporters, the Peele campaign is shaping up to be quite the circus. And that's before Henry's ex arrives on the scene . . .
But when someone close to the campaign is murdered, Henry can no longer turn a blind eye. As he conducts his own covert investigation, still more secrets emerge. So deeply entrenched in the politics and manipulation, Henry must face a staggering reality in which his values are no longer his own. But can he extricate himself and salvage the career he loves? And can he do so with his soul intact? A brilliantly plotted and characterized political novel, The Accomplice takes readers into the guts of a brutal presidential campaign.
J.T. Spencer’s presidential campaign was more than a political phenomenon. It was a clear indication of the level of social unrest that existed through out the entire country. But three truly unique circumstances had to come together at the same time to create the perfect political storm of social rebellion. The first was the public’s pervasive lack of trust in the entire political system; a distrust that had been building since Watergate and had reached critical mass during the last two administrations. The second factor was one of simple technology. The spread of personal computers and the ever increasing number of people whose primary source of information was the internet, made possible a new type of grass roots campaign. The third and final factor was the intense media scrutiny focused on presidential candidates. Every aspect of the lives of public figures, especially those who would aspire to public office and political leadership, was fair game for the evening news.
The Overstory, winner of the 2019 Pulitzer Prize in Fiction, is a sweeping, impassioned work of activism and resistance that is also a stunning evocation of—and paean to—the natural world. From the roots to the crown and back to the seeds, Richard Powers’s twelfth novel unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond. There is a world alongside ours—vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.