Strange Stories from the Lodge of Leisures: Pu Songling
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Pu instead wrote his stories in the classical idiom, freely adopting forms and themes from the old “marvel tales” of the Tang and Song dynasties. Although Pu lived and died as an obscure provincial schoolteacher, his work gained fame when it was first printed in 1766, some fifty years after his death, inspiring many imitations and creating a new vogue for classical stories. His tales have not only spawned translations, adaptations, and sequels, but have also inspired world-renowned writers such as Franz Kafka, Lafcadio Hearn, Jorge Luis Borges, and Mo Yan.
Pu’s tales are populated with ghosts, foxes, immortals, and demons, but he focused on the everyday life of commoners. He used the supernatural and the unexplainable to illustrate his ideas of society and government, to criticize the corruption and injustice in society, and sympathized with the poor. Pu is concerned with four main themes: the skewed feudal system, the corrupt examination system of his day, the love between poor scholars and powerless women, and reforming bad behavior. He embedded Confucian-styled moral standards and Taoist principles into parables but the enduring genius of his writing is that it never fails to entertain even as it aims to enlighten.
Autoren-Profil
Pu Songling (1640–1715) was a Chinese writer during the Qing dynasty, best known as the author of Strange Stories from a Chinese Studio (Liaozhai zhiyi), a collection of four hundred and thirty-one classical Chinese stories.
