Swamp Thing: The Root of All Evil

Mark Millar · Grant Morrison

gush 2015 · Vertigo

Rreth këtij libri elektronik

The legend of Swamp Thing continues here! He was an elemental embodiment of the world’s plants-the spirit of all her marshes, bogs and fens. He had a wonderful daughter and a loving wife, and the power and beauty of nature filled his life. He was the Swamp Thing. He was a god. He was happy. And then he woke up. Without warning, Doctor Alec Holland finds himself thousands of miles from the Louisiana swamp that he thought was his home. He has a life he doesn’t remember and a human body he thought he had lost forever. His time as the Swamp Thing is nothing but a disappearing dream, a hallucination, a bad trip. But the monster rampaging through the bayou he left behind is all too real. So is the beautiful woman who loved him, the danger she now faces and the terrible vengeance of the power he once served-the gods of field and forest known as the Parliament of Trees. Comics legends Grant Morrison (THE MULTIVERSITY) and Mark Millar (Kick-Ass) team with artist Phil Hester (GREEN ARROW) to dig deep into the Swamp Thing mythos in SWAMP THING: THE ROOT OF ALL EVIL, collecting issues #140-150 of the original VERTIGO series.

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Grant Morrison has been working with DC Comics for more than twenty years, beginning with his legendary runs on the revolutionary titles ANIMAL MAN and DOOM PATROL. Since then he has written numerous best-sellers - including JLA, BATMAN and New X-Men - as well as the critically acclaimed creator-owned series THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. Morrison has also expanded the borders of the DC Universe in the award-winning pages of SEVEN SOLDIERS, ALL-STAR SUPERMAN, FINAL CRISIS and BATMAN, INC., and he has reinvented the Man of Steel in the all-new ACTION COMICS.In his secret identity, Morrison is a ÒcountercultureÓ spokesperson, a musician, an award-winning playwright and a chaos magician. He is also the author of the New York Times best-seller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. He divides his time between his homes in Los Angeles and Scotland.