O tej e-knjigi
Are you a long-form fiction writer wondering if short fiction is worth the investment of your time?
Short fiction is enjoying a resurgence and provides both independently and traditionally published authors opportunities for creating income and connecting with readers.
Matty Dalrymple and Mark Leslie Lefebvre will show you where those opportunities lie and how to take advantage of them.
CREATING INCOME
Traditional Publishing Market
Anthologies & Collections
Mechanics of Indy Anthologies
Standalone e-books
e-book Collections
Serials
Foreign Language
Markets
Audio
Patron Support
Getting Unstuck
CONNECTING WITH READERS
Offering Your Story for Free
Reader Funnel
Reader Magnet
Video
Author Readings
Market Research
Flash Fiction and Micro-Fiction
Chapbooks
Bonus Material
Custom Story
Location-based Apps
When the Reader Is an Agent
BEST PRACTICES
Editing and Proofreading
Cover Design
Links and QR Codes
Being an Active Member of the Community
Create Once, Publish Everywhere
Matty Dalrymple is the author of the Ann Kinnear Suspense Novels and Suspense Shorts and the Lizzy Ballard Thrillers. She writes, speaks, consults, and podcasts on independent publishing as The Indy Author™. Mark Leslie Lefebvre (as Mark Leslie) has authored numerous horror short stories and edited horror anthologies. He writes, speaks, consults, and podcasts on topics related to writing, publishing, and bookselling. He was the founder of Kobo Writing Life and is the Director of Business Development at Draft2Digital.
O avtorju
Matty Dalrymple is the author of the Ann Kinnear Suspense Novels and Suspense Shorts and the Lizzy Ballard Thrillers. She writes, speaks, consults, and podcasts on independent publishing as The Indy Author.
Mark Leslie Lefebvre (as Mark Leslie) has authored numerous horror short stories and edited horror anthologies. He writes, speaks, consults, and podcasts on topics related to writing, publishing, and bookselling. He was the founder of Kobo Writing Life and is the Director of Business Development at Draft2Digital.
