Tarzan the Untamed: Mystery & Adventure Story

· Mystery & Adventure Story Βιβλίο 3 · 谷月社
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Hauptmann Fritz Schneider trudged wearily through the somber aisles of the dark forest. Sweat rolled down his bullet head and stood upon his heavy jowls and bull neck. His lieutenant marched beside him while Underlieutenant von Goss brought up the rear, following with a handful of askaris the tired and all but exhausted porters whom the black soldiers, following the example of their white officer, encouraged with the sharp points of bayonets and the metal-shod butts of rifles.

There were no porters within reach of Hauptmann Schneider so he vented his Prussian spleen upon the askaris nearest at hand, yet with greater circumspection since these men bore loaded rifles—and the three white men were alone with them in the heart of Africa.

Ahead of the hauptmann marched half his company, behind him the other half—thus were the dangers of the savage jungle minimized for the German captain. At the forefront of the column staggered two naked savages fastened to each other by a neck chain. These were the native guides impressed into the service of Kultur and upon their poor, bruised bodies Kultur's brand was revealed in divers cruel wounds and bruises.

Thus even in darkest Africa was the light of German civilization commencing to reflect itself upon the undeserving natives just as at the same period, the fall of 1914, it was shedding its glorious effulgence upon benighted Belgium.

It is true that the guides had led the party astray; but this is the way of most African guides. Nor did it matter that ignorance rather than evil intent had been the cause of their failure. It was enough for Hauptmann Fritz Schneider to know that he was lost in the African wilderness and that he had at hand human beings less powerful than he who could be made to suffer by torture. That he did not kill them outright was partially due to a faint hope that they might eventually prove the means of extricating him from his difficulties and partially that so long as they lived they might still be made to suffer.

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Burroughs soon took up writing full-time and by the time the run of Under the Moons of Mars had finished he had completed two novels, including Tarzan of the Apes, published from October 1912 and one of his most successful series.

Burroughs also wrote popular science fiction and fantasy stories involving Earthly adventurers transported to various planets (notably Barsoom, Burroughs's fictional name for Mars, and Amtor, his fictional name for Venus), lost islands, and into the interior of the hollow earth in his Pellucidar stories, as well as westerns and historical romances. Along with All-Story, many of his stories were published in The Argosy magazine.

Tarzan was a cultural sensation when introduced. Burroughs was determined to capitalize on Tarzan's popularity in every way possible. He planned to exploit Tarzan through several different media including a syndicated Tarzan comic strip, movies and merchandise. Experts in the field advised against this course of action, stating that the different media would just end up competing against each other. Burroughs went ahead, however, and proved the experts wrong – the public wanted Tarzan in whatever fashion he was offered. Tarzan remains one of the most successful fictional characters to this day and is a cultural icon.

In either 1915 or 1919, Burroughs purchased a large ranch north of Los Angeles, California, which he named "Tarzana." The citizens of the community that sprang up around the ranch voted to adopt that name when their community, Tarzana, California was formed in 1927. Also, the unincorporated community of Tarzan, Texas, was formally named in 1927 when the US Postal Service accepted the name, reputedly coming from the popularity of the first (silent) Tarzan of the Apes film, starring Elmo Lincoln, and an early "Tarzan" comic strip.

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