Tess of the d'Urbervilles

Thomas Hardy

thg 11 2004 · Được bán bởi Bantam Classics

Giới thiệu về sách điện tử này

        

Etched against the background of a dying rural society, Tess of the d'Urbervilles was Thomas Hardy's "bestseller," and Tess Durbeyfield remains his most striking and tragic heroine. Of all the characters he created, she meant the most to him. Hopelessly torn between two men--Alec d'Urberville, a wealthy, dissolute young man who seduces her in a lonely wood, and Angel Clare, her provincial, moralistic, and unforgiving husband--Tess escapes from her vise of passion through a horrible, desperate act.
----"Like the greatest characters in literature, Tess lives beyond the final pages of the book as a permanent citizen of the imagination," said Irving Howe. "In Tess he stakes everything on his sensuous apprehension of a young woman's life, a girl who is at once a simple milkmaid and an archetype of feminine strength. . . . Tess is that rare creature in literature: goodness made interesting."
----Now Tess of the d'Urbervilles has been brought to television in a magnificent new co-production from A&E Network and London Weekend Television. Justine Waddell (Anna Karenina) stars as the tragic heroine, Tess; Oliver Milburn (Chandler & Co.) is Angel Clare; and Jason Flemyng is Alec d'Urberville. The cast also includes John McEnery (Black Beauty) as Jack Durbeyfield and Lesley Dunlop (The Elephant Man) as Joan Durbeyfield. Tess of the d'Urbervilles is directed by Ian Sharp and produced by Sarah Wilson, with a screenplay by Ted Whitehead; it was filmed in Hardy country, the beautiful English countryside in Dorset where Thomas Hardy set his novels.

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

Giới thiệu tác giả

Thomas Hardy, whose writing immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born at Upper Bockhampton, near Stinsford in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During his time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874, Far from the Maddening Crowd, published serially and anonymously in the Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1878, and in 1885 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he had wrote The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895).

With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1869 that he would never write fiction ever again. He published Wessex Poems in 1898, Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynast, a huge drama in which Hardy’s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated.

In 1912 Hardy’s wife, Emma died. The marriage was childless and had been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he live happily until his death in 1928. His heart was buried in the Wessex Countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.