The Aesthetic Discourse of the Arts: Breaking the Barriers

Anna-Teresa Tymieniecka

dek, 2012 · Analecta Husserliana 61-kitob · Springer Science & Business Media

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The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance - distinct in themselves - grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture.
This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life.
Studies by Paula Carabell, J. Fiori Blanchfield, R. Riese Hubert, R. Gray, D. Lipten, J. Parsons, S. Brown, C. Osowie Ruoff, T. Raczka, K. Karbenier and others.

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Anna-Teresa Tymieniecka was born in Marianowo, Poland on February 28, 1923. She studied at the University of Krakow, the Sorbonne, and the University of Fribourg, Switzerland, where she received a Ph.D. in philosophy. She was the founder and president the World Institute for Advanced Phenomenological Research and Learning. She was the author of 14 books and the editor of Analecta Husserliana: The Yearbook of Phenomenological Research and Phenomenological Inquiry: A Review of Philosophical Ideas and Trends. She died on June 7, 2014 at the age of 91.