The Art of Awakening: A User's Guide to Tibetan Buddhist Art and Practice

Konchog Lhadrepa · Charlotte Davis

апр. 2017 г. · Shambhala Publications

Об электронной книге

A presentation on the Tibetan Buddhist path to enlightenment, through the lens of an artist's eye and experience.

The sacred arts play an essential, intrinsic role in Tibetan Buddhist practice. Here, one of the great practitioners and master artists of our time presents a guide to the Tibetan Buddhist path, from preliminary practices through enlightenment, from the artist's perspective. With profound wisdom, he shows how visual representations of the sacred in paintings, sculptures, mandalas, and stupas can be an essential support to practice throughout the path. This work, based on the author's landmark Tibetan text, The Path to Liberation, includes basic Buddhist teachings and practices, clearly pointing out the relevance of these for both the sacred artist and the practitioner, along with an overview of the history and iconography of Buddhist art.

Об авторе

KONCHOG LHADREPA has been the Principal of the Tsering Art School since its foundation in 1996. He is an authentic holder of the Karma Gadri lineage of painting, which originated in Eastern Tibet and is famous for the beauty of its spacious landscapes. He became a disciple of Dilgo Khyentse Rinpoche at the age of 10 and, from the age of 16 to 22, served as his personal attendant. Over the years, Konchog painted many works for Rinpoche and his associated centers throughout the Indian subcontinent and Europe. His remarkable abilities, training, and knowledge of the sacred arts alone make him an exceptional artist.

CHARLOTTE DAVIS completed a Bachelor of Fine Arts from the Australian National University, before traveling to Nepal in 1998 to study traditional Tibetan art at the Tsering Art School under Konchog's guidance. She was among the first group of graduates to complete their studies at Tsering Art School in 2003. She worked in the school administration alongside Konchog from 1998 to 2004 and today continues to work for the art school and monastery, while maintaining her practice as a thangka painter.