The Art of Creative Research: A Field Guide for Writers
2017年2月 · University of Chicago Press
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關於這本電子書
A guide to finding and using information that enriches your fiction, nonfiction, or poetry, “filled with anecdotes from a wide range of writers” (Choice).
All writers conduct research. For some this means poring over records and combing archives, but for many creative writers research happens in the everyday world—when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger.
The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable—and enjoyable—research plan. It shows that research shouldn’t be seen as a dry, plodding aspect of writing. Instead, it’s an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction.
Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives, and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers as well as his own projects. Throughout, he brings knowledge from his seasoned background into play, drawing on his experiences as a reporter and a writer of both fiction and nonfiction. His enthusiasm for adventure is infectious and will inspire writers to step away from the keyboard and into the world.
“Gerard just flat-out gets it. . . . He understands that research is at its core about the human need to know . . . an indispensable book.” —Joe Mackall, author of Plain Secrets: An Outsider among the Amish
All writers conduct research. For some this means poring over records and combing archives, but for many creative writers research happens in the everyday world—when they scribble an observation on the subway, when they travel to get the feel for a city, or when they strike up a conversation with an interesting stranger.
The Art of Creative Research helps writers take this natural inclination to explore and observe and turn it into a workable—and enjoyable—research plan. It shows that research shouldn’t be seen as a dry, plodding aspect of writing. Instead, it’s an art that all writers can master, one that unearths surprises and fuels imagination. This lends authenticity to fiction and poetry as well as nonfiction.
Philip Gerard distills the process into fundamental questions: How do you conduct research? And what can you do with the information you gather? He covers both in-person research and work in archives, and illustrates how the different types of research can be incorporated into stories, poems, and essays using examples from a wide range of writers as well as his own projects. Throughout, he brings knowledge from his seasoned background into play, drawing on his experiences as a reporter and a writer of both fiction and nonfiction. His enthusiasm for adventure is infectious and will inspire writers to step away from the keyboard and into the world.
“Gerard just flat-out gets it. . . . He understands that research is at its core about the human need to know . . . an indispensable book.” —Joe Mackall, author of Plain Secrets: An Outsider among the Amish
關於作者
Philip Gerard is the author of four novels and six books of nonfiction, including Down the Wild Cape Fear: A River Journey through the Heart of North Carolina and The Patron Saint of Dreams. Gerard has also written numerous essays, short stories, public radio commentaries, and documentary television scripts. He teaches in the Department of Creative Writing at the University of North Carolina Wilmington.
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