The Art of Sword Combat: A 1568 German Treatise on Swordmanship

Joachim Meyer

2016年8月 · Casemate Publishers

關於這本電子書

This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques.
 
Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier.
 
The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.

關於作者

Joachim Meyer was born in Basel in Switzerland in approximately 1537, possibly the son of Jacob Meyer, a stationer, and Anna Freund. He became a burgher of Strasbourg by marrying a widow in 1560, most likely during his apprenticeship as a cutler. He made a living as both a cutler and a professional fencer until 1570, in which year he published his Art of Combat – the book that made him famous. The making of this book, however, left him deeply indebted, and the search for potential buyers led him to leave Strasbourg and work as a Master-of-Arms at the court of the Duke of Schwerin. Unfortunately, he died shortly after his arrival, on 24 February 1571, at the age of just thirty-four, leaving the burden of his debt to his widow and brother-in-law.

Jeffrey L Forgeng is curator of the Worcester Art Museum’s Higgins Collection, the second largest collection of arms and armor in the Americas, and also teaches as Adjunct Professor of History at Worcester Polytechnic Institute. His academic work specializes in European treatises on the use of arms and armor.