The Asylum Dance

John Burnside

nov 2010 · Random House

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Lucid, tender, and strangely troubling, the poems in The Asylum Dance - which won the Whitbread Prize for Poetry - are hymns to the tension between the sanctuary of home and the lure of escape. This is territory that Burnside has made his own: a domestic world threaded through with myth and longing, beyond which lies a no man's land - the 'somewhere in between' - of dusk or dawn, of mists or sudden light, where the epiphanies are.

Using the framework of four long poems, 'Ports', 'Settlements', 'Fields' and 'Roads', the poet balances presence with absence; we are shown the homing instinct - felt in the blood and marrow - as a pull to refuge, simplicity, and a safe haven, while at the same time hearing the siren call from the world beyond: the thrilling expectancy of fairground or dancehall, the possibilities of the open road. With a confident open line and complete command of the language, John Burnside writes with grace, agility and profound philosophical purpose, confirming his position in the front rank of contemporary poetry.

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Amongst the most acclaimed writers of his generation, John Burnside has just been awarded the David Cohen Prize for a lifetime’s achievement in literature. His novels, short stories, poetry and memoirs have won numerous other awards, including the Geoffrey Faber Memorial Prize, the Whitbread Poetry Award, the Petrarca Prize and the Saltire Scottish Book of the Year. In 2011 Black Cat Bone won both the Forward and the T.S. Eliot Prizes for poetry. His most recent books are The Music of Time: Poetry in the Twentieth Century and Aurochs and Auks: Essays on Mortality and Extinction. He is a professor in the School of English at St Andrews University.