អំពីសៀវភៅអេឡិចត្រូនិកនេះ
This publication enquires into the role and treatment of the body in the visual culture of contemporary China. What meanings are assigned to the body in artistic practice, what does it represent and what (hi)stories does it refer to? Considerable importance is ascribed to the body as a means of orientation and placement; as an arena and medium of social experience. 19 Chinese artists, theatre practitioners and theorists describe their personal experiences, put their thoughts and views up for discussion and explore how art can shed light on the individual and collective experiences that emerge in the wake of historical change and the anticipation of a newly won freedom.
ការដាក់ផ្កាយ និងមតិវាយតម្លៃ
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ការវាយតម្លៃ 1
អំពីអ្នកនិពន្ធ
Jörg Huber is Professor for Cultural Theory and Aesthetics at the Zurich University of the Arts and Head of the Institute for Critical Theory (ith). His research areas include aesthetics and the theory of the political in a transcultural context. He has been travelling to China for more than 20 years. Zhao Chuan is a writer, theatre worker and art critic. His publications include fiction, non-fiction and works on contemporary art history. He is the founder and director of Grass Stage, a leading Chinese theatre company.
វាយតម្លៃសៀវភៅអេឡិចត្រូនិកនេះ
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