The Cenci

Alexandre Dumas

thg 1 2014 · Được bán bởi Simon and Schuster

Giới thiệu về sách điện tử này

Beatrice Cenci was the son of Francesco Cenci, an aristocrat who, due to his violent temper and immoral behaviour, had found himself in trouble with the papal justice more than once. In Rome, they lived in a mid 16th century mansion in Regola district, built over the ruins of a previous medieval fortified palace. Together with them lived also Beatrice's elder brother Giacomo, Francesco's second wife Lucrezia Petroni, and Bernardo, the young boy born from the man's second marriage. Among their other possessions was a castle in Petrella Salto, a small village near Rieti, north of Rome. Even at home Francesco Cenci behaved as a brute. He abused his wife and his sons, and had reached the point of committing incest with Beatrice. He had been jailed for other crimes, but thanks to the leniency which the nobles were treated with, he had been freed too soon. The girl had tried to inform the authorities about the frequent mistreatments, but nothing had happened, although everybody in Rome knew what kind of person Francesco Cenci was. When he found out that his daughter had reported against him, he sent Beatrice and Lucrezia away from Rome, to live in the family's country castle. Exasperated, the four Cenci had no better choice than to try and get rid of Francesco, and all together they organized a plot.

Giới thiệu tác giả

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.