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The first half covers the three major styles of literary expression that informed Japanese writing and performance in the late nineteenth and early twentieth centuries: classical Japanese fiction and drama, Chinese poetry, and Western literary representation and cultural critique. Their juxtaposition brilliantly captures the social, intellectual, and political challenges shaping Japan during this period, particularly the rise of nationalism, the complex interaction between traditional and modern forces, and the encroachment of Western ideas and writing. The second half conveys the changes that have transformed Japan since the end of the Pacific War, such as the heady transition from poverty to prosperity, the friction between conflicting ideologies and political beliefs, and the growing influence of popular culture on the country's artistic and intellectual traditions. Featuring sensitive translations of works by Nagai Kafu, Natsume Soseki, Oe Kenzaburo, Kawabata Yasunari, Mishima Yukio, and many others, this anthology relates an essential portrait of Japan's dynamic modernization.
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J. Thomas Rimer is emeritus professor of Japanese literature, theater, and art at the University of Pittsburgh. He has also taught at Washington University in St. Louis and at the University of Maryland, and he served for several years as head of the Asian Division of the Library of Congress. He is the author, coauthor, editor, and translator of several works, including Traditional Japanese Arts and Culture: An Illustrated Sourcebook and A Reader's Guide to Japanese Literature.
Van C. Gessel is professor of Japanese literature at Brigham Young University. He is the author of Three Modern Novelists: Soseki, Tanizaki, Kawabata; coeditor of The Showa Anthology: Modern Japanese Short Stories; and translator of six literary works by the Japanese Catholic novelist Endo Shusaku, including The Samurai and Deep River.
