The Death of Tragedy

George Steiner

2013 api. · Open Road Media

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DIVAn engrossing and provocative look at the decline of tragedy in modern art

“All men are aware of tragedy in life. But tragedy as a form of drama is not universal.” So begins George Steiner’s adept analysis of the demise of classic tragedy as a dramatic depiction of heroism and suffering. In The Death of Tragedy, Steiner examines the uniqueness and importance of the Greek classical tragedy—from antiquity to the age of Jean Racine and William Shakespeare—as providing stark insight into the grief and joy of human existence. Then, delving into the works of John Keats, Henrik Ibsen, Samuel Beckett, and many more, Steiner demonstrates how the tragic voice has greatly diminished in modern theater, and what we have lost in the process./div

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DIVGeorge Steiner, author of dozens of books (including The Death of Tragedy, After Babel, Martin Heidegger, In Bluebeard’s Castle, My Unwritten Books, George Steiner at the New Yorker, and The Poetry of Thought), is one of the world’s foremost intellectuals. He has been professor emeritus of English and comparative literature at the University of Geneva, professor of comparative literature and fellow at the University of Oxford, and professor of poetry at Harvard University. He lives in Cambridge, England, where he has been an Extraordinary Fellow at Churchill College at the University of Cambridge since 1969. /div