The Dirty Version: On Stage, in the Studio, and in the Streets with Ol' Dirty Bastard

Buddha Monk · Mickey Hess

2014. g. nov. · Pārdevējs: Harper Collins

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On the tenth anniversary of his death, The Dirty Version is the first biography of hip hop superstar and founding member of the Wu-Tang Clan, Ol’ Dirty Bastard, to be written by someone from his inner circle: his right-hand man and best friend, Buddha Monk.

Ol’ Dirty Bastard rocketed to fame with the Wu-Tang Clan, the raucous and renegade group that altered the world of hip hop forever. ODB was one of the Clan’s wildest icons and most inventive performers, and when he died of an overdose in 2004 at the age of thirty-five, millions of fans mourned the loss. ODB lives on in epic proportions and his antics are legend: he once picked up his welfare check in a limousine; lifted a burning car off a four-year-old girl in Brooklyn; stole a fifty-dollar pair of sneakers on tour at the peak of his success. Many have questioned whether his stunts were carefully calculated or the result of paranoia and mental instability.

Now, Dirty’s friend since childhood, Buddha Monk, a Wu-Tang collaborator on stage and in the studio, reveals the truth about the complex and talented performer. From their days together on the streets of Brooklyn to the meteoric rise of Wu-Tang’s star, from bouts in prison to court-mandated rehab, from Dirty’s favorite kind of pizza to his struggles with fame and success, Buddha tells the real story—The Dirty Version—of the legendary rapper. 

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Buddha Monk is an MC, producer, and singer who toured the world with Ol’ Dirty Bastard and the Wu-Tang Clan. He was Dirty’s onstage hype man and was instrumental in recording and producing his debut solo album, Return to the 36 Chambers: The Dirty Version. The saga continues: today Buddha tours and releases albums as a solo artist and produces and performs with acts such as the Committee, Heissman—Black Bush the Movement, Zu Bulliez, Brooklyn Zu, and many more.

Mickey Hess is Professor of English at Rider University, where he teaches creative writing and Hip-Hop and American Culture. He is the author of Big Wheel at the Cracker Factory and Is Hip Hop Dead? The Past, Present, and Future of America’s Most Wanted Music, and the editor of Icons of Hip Hop and Hip Hop in America: A Regional Guide.