The Dream

Émile Zola

jan. de 2005 · Rougon-Macquart Livro 16 · Mondial

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Written as a "passport to the Academy," this novel stands alone among the Rougon-Macquart series for its pure, idyllic grace. Angelique, a daughter of Sidonie Rougon (La Curee), had been deserted by her mother, and was adopted by a maker of ecclesiastical embroideries, who with his wife lived and worked under the shadow of an ancient cathedral. In this atmosphere the child grew to womanhood, and as she fashioned the rich embroideries of the sacred vestments she had a vision of love and happiness which was ultimately realized, though the realization proved too much for her frail strength... The vast cathedral with its solemn ritual dominates the book and colours the lives of its characters. (J. G. Patterson)

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Zola was the spokesperson for the naturalist novel in France and the leader of a school that championed the infusion of literature with new scientific theories of human development drawn from Charles Darwin (see Vol. 5) and various social philosophers. The theoretical claims for such an approach, which are considered simplistic today, were outlined by Zola in his Le Roman Experimental (The Experimental Novel, 1880). He was the author of the series of 20 novels called The Rougon-Macquart, in which he attempted to trace scientifically the effects of heredity through five generations of the Rougon and Macquart families. Three of the outstanding volumes are L'Assommoir (1877), a study of alcoholism and the working class; Nana (1880), a story of a prostitute who is a femme fatale; and Germinal (1885), a study of a strike at a coal mine. All gave scope to Zola's gift for portraying crowds in turmoil. Today Zola's novels have been appreciated by critics for their epic scope and their visionary and mythical qualities. He continues to be immensely popular with French readers. His newspaper article "J'Accuse," written in defense of Alfred Dreyfus, launched Zola into the public limelight and made him the political conscience of his country.