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"West is still a satirist with few peers and no betters, and a writer of bleak, haunting power." — Kirkus Reviews. In this 1931 Dada-inspired work, the first novel of the author of Miss Lonelyhearts and The Day of the Locust, the eponymous antihero stumbles across the Trojan Horse and climbs inside, embarking upon a dream within a dream. His journey through a mental jungle blends grandiose literary and religious allusions with erotic and scatological humor, as he encounters a contentious guide, a biographer writing a biography of a biographer, and a mystic trying to crucify himself with thumbtacks. Innovative and original, West's novel takes an unforgettable look at the dark side of the American dream. Unabridged republication of the classic 1931 edition.
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American novelist Nathanael West was born in New York City, the son of a prosperous building contractor. He began his college education at Tufts University but transferred to Brown University, from which he graduated in 1924. After graduation, West went to Europe and lived in Paris for a few years, where he wrote the short novel The Dream Life of Balso Snell (1931), an avant--garde work that reflected his concern with the emptiness of contemporary life. West's modest legacy of completed works reached its peak of recognition during the period when later Jewish American writers were discovering black humor. Among novels that chronicle the wasteland despair and grotesque comedy of the time between the wars, West's Miss Lonelyhearts (1933) and The Day of the Locust (1939) stand out as remarkable examples. The first is about a young man conducting a column of advice to the lovelorn who finds it increasingly impossible not to share the problems of his readers. The Day of the Locust story about a riot that ends with the burning of Los Angeles. If Franz Kafka (see Vol. 2) had lived to come to the United States and become a screenwriter, he might have written a book like The Day of the Locust, which Malcolm Cowley called the best novel ever written about Hollywood. West's other short novel, A Cool Million (1934), is, like The Dream Life of Balso Snell, an experimental work that offers variations on the theme of reality and illusion; both works look toward a literature of the absurd and deserve their place in literary history as influences on a school of American writers that came into prominence during the 1960s. West's own life had aspects of tragic absurdity. He was married to Eileen McKenney, the original of the central figure in My Sister Eileen, while his own sister became the wife of humorist S. J. Perelman. After writing Miss Lonelyhearts, West and his wife went to Hollywood and remained there until they were both killed in a car accident in 1940.
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