The Dream: Works Of Zola
এই ইবুকখনৰ বিষয়ে
CHAPTER I
During the severe winter of 1860 the river Oise was frozen over and the plains of Lower Picardy were covered with deep snow. On Christmas Day, especially, a heavy squall from the north-east had almost buried the little city of Beaumont. The snow, which began to fall early in the morning, increased towards evening and accumulated during the night; in the upper town, in the Rue des Orfevres, at the end of which, as if enclosed therein, is the northern front of the cathedral transept, this was blown with great force by the wind against the portal of Saint Agnes, the old Romanesque portal, where traces of Early Gothic could be seen, contrasting its florid ornamentation with the bare simplicity of the transept gable.
The inhabitants still slept, wearied by the festive rejoicings of the previous day. The town-clock struck six. In the darkness, which was slightly lightened by the slow, persistent fall of flakes, a vague living form alone was visible: that of a little girl, nine years of age, who, having taken refuge under the archway of the portal, had passed the night there, shivering, and sheltering herself as well as possible. She wore a thin woollen dress, ragged from long use, her head was covered with a torn silk handkerchief, and on her bare feet were heavy shoes much too large for her. Without doubt she had only gone there after having well wandered through the town, for she had fallen down from sheer exhaustion. For her it was the end of the world; there was no longer anything to interest her. It was the last surrender; the hunger that gnaws, the cold which kills; and in her weakness, stifled by the heavy weight at her heart, she ceased to struggle, and nothing was left to her but the instinctive movement of preservation, the desire of changing place, of sinking still deeper into these old stones, whenever a sudden gust made the snow whirl about her.
মূল্যাংকন আৰু পৰ্যালোচনাসমূহ
লিখকৰ বিষয়ে
About Emile Zola
Emile Zola (2 April 1840 – 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse. Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902.
Works
During his early years, Zola wrote numerous short stories and essays, four plays, and three novels. Among his early books was Contes à Ninon, published in 1864. With the publication of his sordid autobiographical novel La Confession de Claude (1865) attracting police attention, Hachette fired Zola. His novel Les Mystères de Marseille appeared as a serial in 1867.
After his first major novel, Thérèse Raquin (1867), Zola started the series called Les Rougon Macquart, about a family under the Second Empire.
In Paris Zola maintained his friendship with Cézanne, who painted a portrait of him with another friend from Aix-en-Provence, writer Paul Alexis, entitled Paul Alexis reading to Zola.
More than half of Zola's novels were part of a set of 20 collectively known as Les Rougon-Macquart. Unlike Balzac, who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start, at the age of 28, had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol, and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family - the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts - for five generations.
As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."
Although Zola and Cézanne were friends from childhood, they experienced a falling out later in life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in Zola's novel L'Œuvre (The Masterpiece, 1886).
From 1877, with the publication of l'Assommoir, Émile Zola became wealthy; he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans, and other writers at his luxurious villa (worth 300,000 francs) in Médan, near Paris, after 1880. Germinal in 1885, then the three "cities" - Lourdes (1894), Rome (1896), and Paris (1897), established Zola as a successful author.
The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social Manicheanism, and idealistic socialism, resonate with those of Nadar, Manet, and subsequently Flaubert.
