The Film Experience: Edition 6
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The most robust introduction to film on the market, the Sixth Edition emphasizes film technology through expanded coverage of animation and a new Technology in Action feature, which puts the evolving technology of film in historical context. The Film Experience is also now available with LaunchPad, Macmillan’s customizable online course space, which includes the full e-book, LearningCurve adaptive quizzing, a rich array of video activities aligned with the text, and more.
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Timothy Corrigan is a professor emeritus of cinema and media studies at the University of Pennsylvania. His other books include New German Film: The Displaced Image (Indiana UP); The Films of Werner Herzog: Between Mirage and History (Routledge); Writing about Film (Longman/Pearson); A Cinema without Walls: Movies and Culture after Vietnam (Routledge/Rutgers UP); Film and Literature: An Introduction and Reader (Routledge); Critical Visions in Film Theory: Classical and Contemporary Readings (Bedford/St. Martin’s), with Patricia White and Meta Mazaj; American Cinema of the 2000s (Rutgers UP); Essays on the Essay Film (Columbia UP), with Nora M. Alter; and The Essay Film: From Montaigne, After Marker (Oxford UP), winner of the 2012 Katherine Singer Kovács Award for the outstanding book in film and media studies. He has published essays in Film Quarterly, Discourse, and Cinema Journal, among other collections, and is also an editor of the journal Adaptation and a former editorial board member of Cinema Journal. In 2014, he received the Society for Cinema and Media Studies Award for Outstanding Pedagogical Achievement.
Patricia White is Professor and Chair of Film and Media Studies at Swarthmore College. She is the author of Women’s Cinema/World Cinema: Projecting Twenty-first Century Feminisms (Duke UP) and Uninvited: Classical Hollywood Cinema and Lesbian Representability (Indiana UP). Her essays have appeared in journals including Camera Obscura, Cinema Journal, Film Quarterly, and Screen, and in books including A Feminist Reader in Early Cinema, Out in Culture, and The Routledge Companion to Cinema and Gender. She is coeditor with Timothy Corrigan and Meta Mazaj of Critical Visions in Film Theory: Classic and Contemporary Readings (Bedford/St. Martin’s). She is a member of the editorial collective of the feminist film journal Camera Obscura. She serves on the board of the feminist distributor and media organization Women Make Movies and the editorial board of Film Quarterly.
