The Films of Jean-Luc Godard

Wheeler Winston Dixon

03/1997 · State University of New York Press

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One of the most important, controversial, and prolific filmmakers in film history, and a founder of French New Wave cinema, Jean-Luc Godard has maintained an unbroken string of films in various genres and mediums from the late 1950s onward. Godard has established a reputation as a rebel who can work within and outside the system, producing films that are creative, breathtakingly beautiful, and yet commercial enough to earn back their production costs. In this book, Wheeler Winston Dixon offers an overview of all of Godard's work as a filmmaker, including his work for television and his ethnographic work in Africa. Free from the jargon and value judgments that have marred much of what has been written about Godard, this is the only book that covers the entirety of Godard's career, from his early film criticism for Cahiers du Cinema to his most recent video/film work. Illustrated with forty-six rare stills and researched in detail, it is the Godard book for the 1990s.

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Wheeler Winston Dixon is Professor of English and Chair of the Film Studies Program at the University of Nebraska, Lincoln. He is the author or editor of ten books, including Re-Viewing British Cinema and It Looks At You: The Returned Gaze of Cinema, both published by SUNY Press, and co-producer and co-director of the hour-long documentary "Women Who Made the Movies" (1991). His films have been screened at The Museum of Modern Art, The Whitney Museum of American Art, The Museum of the Moving Image (London), The Jewish Museum, the San Francisco Cinematheque, and elsewhere.