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In the ninety-ninth district of a labour camp, the Author, Musician, Scholar, Theologian and Technician undergo re-education, to restore their revolutionary zeal. In charge of this process is the Child, who delights in enforcing draconian rules.
The Four Books tells the story of one of China's most controversial periods. It also reveals the power of camaraderie, love and faith against oppression in the darkest possible times.
Yan Lianke was born in 1958 in Henan Province, China. Text has published his novels Serve the People!, Lenin’s Kisses and Dream of Ding Village, which was shortlisted for the Man Asian Literary Prize. Yan Lianke won the Hua Zhong World Chinese Literature Prize in 2013. He has also won two of China's most prestigious literary awards: the Lu Xan Prize and the Lao She Award. In 2014, he won the Franz Kafka Prize. He lives in Bejing.
'Author Yan's deft satire, comic touches and his endless compassion bring smiles and tears through a journey that swings effortlessly back and forward between the absurd, the real and moments of magic. It is an epic tale of how grand, event if well-meant, plans can be tarnished by greed and unhappiness. It cautions against being consumed by power. Here is a splendid storyteller in the tradition of Jonathan Swift. Yan's writing is masterful, his imagination and his satire soars above the common.' Courier Mail
'Yan's postmodern cartoon of the Communist dream caving to run-amok capitalism is fiendishly clever, in parodying the conventions of fables and historical scholarship. The ghost of another famous dead Russian, Nikolai Gogol, hovers over the proceedings in spirit, if not in economy of means.' New York Times
'Yan at the peak of his absurdist powers. He writes in the spirit of the dissident writer Vladimir Voinovich, who observed that “reality and satire are the same".' New Yorker
'Whimsical and horrifying by turns...a no-holds-barred satirical allegory of recent Chinese history.' Listener, NZ
‘Yan Lianke weaves a passionate satire of today’s China, a marvellous circus where the one-eyed-man is king...Brutal. And wickedly funny.' L'Express
‘Set Rabelais down in the mountains of, say, Xinjiang, mix in some Günter Grass, Thomas Pynchon and Gabriel García Márquez, and you’re in the approximate territory of Lianke’s latest exercise in épatering the powers that be...A satirical masterpiece.’ Kirkus
‘Both a blistering satire and a bruising saga, this epic novel examines the grinding forces of communism and capitalism, and the volatile zone where the two intersect...A heartbreaking story of greed, corruption, and the dangers of utopia.’ Publishers Weekly
‘This epic tragicomedy deftly satirises the exploitation of the Chinese people by greedy, power-hungry and inept officials. Yan Lianke showcases many talents of his own, including brilliant absurdist humour and self-censorship.’ North and South, NZ
‘For once, the hype doesn’t go far enough...a devastating, brilliant slice of history.’ Times
‘Woven together, these “texts” reflect the catastrophe of the times and meditate on the meaning of integrity, truth, love and ethics when confronted with horror...[Lianke] has produced an extraordinary novel.’ Guardian
‘A compelling account of the absurdities of the tragedy that killed an estimated 30 million people.’ North and South
Tietoja kirjoittajasta
Yan Lianke was born in 1958 in Henan Province, China. He is the author of numerous story collections and novels, including The Day the Sun Died; The Years, Months, Days; The Explosion Chronicles, which was longlisted for the Man Booker International and PEN Translation Prize; The Four Books; Lenin’s Kisses; Serve the People!; and Dream of Ding Village. Among his many accolades, he was awarded the Franz Kafka Prize, was twice a finalist for the Man Booker International Prize, and has been shortlisted for the Independent Foreign Fiction Prize, the Man Asian Literary Prize, and the Prix Femina Étranger. He has received two of China’s most prestigious literary honors, the Lu Xun Prize and the Lao She Award. He lives in Bejing.
Carlos Rojas is Associate Professor in the Department of Asian and Middle Eastern Studies at Duke University. He has translated Yan Lianke’s five most recent books.