The Gates Of Doom

· House of Stratus
I-Ebook
268
Amakhasi
Kufanelekile

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‘Depend above all on Pauncefort’, announced King James, ‘his loyalty is dependable as steel. He is with us body and soul and to the last penny of his fortune.’ So when Pauncefort does indeed face bankruptcy after the collapse of the South Sea Company, the king’s supreme confidence now seems rather foolish. And as Pauncefort’s thoughts turn to gambling, moneylenders and even marriage to recover his debts, will he be able to remain true to the end? And what part will his friend and confidante, Captain Gaynor, play in his destiny?

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Rafael Sabatini, creator of some of the world’s best-loved heroes, was born in Italy in 1875 to an English mother and Italian father, both well-known opera singers. He was educated in Portugal and Switzerland, but at seventeen moved to England, where, after a brief stint in the business world, he started to write. Fluent in a total of five languages, he nonetheless chose to write in English, claiming that ‘all the best stories are written in [that language]’. His writing career was launched with a collection of short stories, followed by several novels. Fame, however, came with ‘Scaramouche’, the much-loved story of the French Revolution, which became an international bestseller. ‘Captain Blood’ followed soon after, which resulted in a renewed enthusiasm for his earlier work which were rushed into reprint. For many years a prolific writer, he was forced to abandon writing in the 1940’s through illness and eventually died in 1950. Sabatini is best remembered for his heroic characters and high-spirited novels, many of which have been adapted into classic films, including Scaramouche, Captain Blood and The Sea Hawk. They appeal to both a male and female audience with drama, romance and action, all placed in historical settings. It was once stated in the ‘Daily Telegraph’ that ‘one wonders if there is another storyteller so adroit at filling his pages with intrigue and counter-intrigue, with danger threaded with romance, with a background of lavish colour, of silks and velvets, of swords and jewels.’

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