關於這本電子書
Space is viewed as the theatrical backdrop against which to study a variety of musical practices in their functions as signifiers of social and political meanings. The editors wish to go beyond the traditional distinction between music theatrical spectacles – namely opera – and other musical genres and practices to offer a more comprehensive perspective on the ways in which not only dramatic, but also instrumental music and even the sounds of voices and objects in the streets relied on the theatrical dimension of space for their effectiveness in conveying social and political messages. While most chapters deal with musical performances, some focus on specific aspects of the Roman soundscape, or are even intentionally "silent", dealing with visual arts and architecture in their performative and theatrical aspects. The latter offer a perspective that creates a visual counterpoint to the ways in which music and sound shaped space.
關於作者
Valeria De Lucca is a Lecturer in Music at the University of Southampton. Her interests include music patronage during the seventeenth century, early modern women, the circulation of music in early modern Europe, systems of opera production between court and public theatres, and the visual aspects of the operatic spectacle.
Christine Jeanneret is HM Queen Margrethe II’s Distinguished Fellow of the Carlsberg Foundation and works between the Museum of National History at Frederiksborg Castle and the Centre de Recherche du Château de Versailles. Her research focuses on early modern music, with a particular interest for performance and staging, the body on stage, cultural exchanges and gender studies.
