The Green Odyssey: Science Fiction Collection
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Alan Green was not exactly a hero. In fact he liked peace just as well as the next man. Not that he was really afraid of that crazy, hot-blooded hound-dog Alzo, or even of the hound's gorgeous owner, the Duchess Zuni—who was also hot-blooded (to say nothing of the Duke). After all, these things were understood on this backward, violent planet, and a man could manage, provided he was alert twenty-four hours a day.
And as a matter of fact, Alan was only normally apprehensive of his Junoesque, tempestuous (but altogether lovable) wife Amra. Delightful, demanding Amra—and her five uproarious kids. The trouble was, he was tired. And homesick.
So when he heard of two other downed spacemen, he hitched a ride with a piratical merchant-captain on a windroller destined to carry him to the spaceship and thence to the peaceful green hills of Earth. But he had reckoned without the vagaries of the windroller, pirates, the "traveling islands," the rascally Captain, and various flora and fauna peculiar to this planet—all of which, it now seemed, regarded Alan with unnerving malevolence.
And worst of all, Amra was determined that he should be a hero. Amra won.
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Philip José Farmer (January 26, 1918 – February 25, 2009) was an American author known for his award-winning science fiction and fantasy novels and short stories.
Farmer is best known for his sequences of novels, especially the World of Tiers (1965–93) and Riverworld (1971–83) series. He is noted for the pioneering use of sexual and religious themes in his work, his fascination for, and reworking of, the lore of celebrated pulp heroes, and occasional tongue-in-cheek pseudonymous works written as if by fictional characters. Farmer often mixed real and classic fictional characters and worlds and real and fake authors as epitomized by his Wold Newton family group of books. These tie all classic fictional characters together as real people and blood relatives resulting from an alien conspiracy. Such works as The Other Log of Phileas Fogg (1973) and Doc Savage: His Apocalyptic Life (1973) are early examples of literary mashup.
