The Journal of Henry David Thoreau, 1837-1861
2011-ж. ноя. · New York Review of Books
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The largest one-volume edition of Thoreau’s 25-year journal, with “some of the most vigorous and original prose in English” and insights into the origins of Walden and other works (Washington Post).
Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right. This is one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self.
It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work.
This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.”
“ . . . a superb and uniquely accessible edition of an essential American masterpiece.”
—Booklist
Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right. This is one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self.
It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination. Yet at roughly seven thousand pages, or two million words, it remains Thoreau’s least-known work.
This reader’s edition, the largest one-volume edition of Thoreau’s Journal ever published, is the first to capture the scope, rhythms, and variety of the work as a whole. Ranging freely over the world at large, the Journal is no less devoted to the life within. As Thoreau says, “It is in vain to write on the seasons unless you have the seasons in you.”
“ . . . a superb and uniquely accessible edition of an essential American masterpiece.”
—Booklist
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Henry David Thoreau (1817–1862) was born and lived the greater part of his life in Concord, Massachusetts. He studied at Harvard, where he became a disciple of Emerson, and after graduating in 1837 returned to Concord to teach school with his brother. In Concord, he became acquainted with the members of the Transcendentalist Club and grew especially close to Emerson, for whom he worked as a handyman. Thoreau also began to write for The Dial and other magazines, and in 1839 he made the boat trip that became the subject of his first book, A Week on the Concord and Merrimack Rivers (1849).
On July 4, 1845, he moved into the hut he’d constructed on Walden Pond, where he remained until September 6, 1847—a sojourn that inspired his great work Walden, published in 1854. In the 1850s, Thoreau became increasingly active in the abolitionist cause, meeting John Brown at Emerson’s house in 1857 and, after the attack on Harpers Ferry, writing passionately in Brown’s defense. Short trips to Maine and Cape Cod resulted in two post humously published books (The Maine Woods and Cape Cod), and a visit to New York led to a meeting with Walt Whitman.
Suffering from tuberculosis, Thoreau traveled to the Great Lakes for the sake of his health, but finding no improvement and realizing that he was going to die, returned home to Concord to put his papers in order and to write his final essays, drawing as always on the Journal, the work that was the source of all his other works and the defining undertaking of his adult life.
Damion Searls is a translator from German, French, Norwegian, and Dutch and a writer in English. His own books include What We Were Doing and Where We Were Going, The Inkblots, and The Philosophy of Translation. He received the Helen and Kurt Wolff Translator's Prize in 2019 for Uwe Johnson's Anniversaries.
John R. Stilgoe is the author of many books and the Robert and Lois Orchard Professor in the History of Landscape at Harvard University.
On July 4, 1845, he moved into the hut he’d constructed on Walden Pond, where he remained until September 6, 1847—a sojourn that inspired his great work Walden, published in 1854. In the 1850s, Thoreau became increasingly active in the abolitionist cause, meeting John Brown at Emerson’s house in 1857 and, after the attack on Harpers Ferry, writing passionately in Brown’s defense. Short trips to Maine and Cape Cod resulted in two post humously published books (The Maine Woods and Cape Cod), and a visit to New York led to a meeting with Walt Whitman.
Suffering from tuberculosis, Thoreau traveled to the Great Lakes for the sake of his health, but finding no improvement and realizing that he was going to die, returned home to Concord to put his papers in order and to write his final essays, drawing as always on the Journal, the work that was the source of all his other works and the defining undertaking of his adult life.
Damion Searls is a translator from German, French, Norwegian, and Dutch and a writer in English. His own books include What We Were Doing and Where We Were Going, The Inkblots, and The Philosophy of Translation. He received the Helen and Kurt Wolff Translator's Prize in 2019 for Uwe Johnson's Anniversaries.
John R. Stilgoe is the author of many books and the Robert and Lois Orchard Professor in the History of Landscape at Harvard University.
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