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An astonishing and innovative blend of horror, folktale and disturbing realism, The Leaping is the first instalment in what is shaping up to be a genre-defining series.
Jack finished university three years ago, but he's still stuck in a dead-end job in a sinister call-centre in Manchester. When the beautiful - and rich - Jennifer comes into his life, he thinks he might have finally found his ticket out of there. The only problem? His boss is interested in Jennifer as well, and there's something strangely bestial about him . . .
So when Jennifer buys Fell House, a mysterious old mansion out in remote Cumbria, a house party on a legendary scale seems like the perfect escape. But as the party spins out of control, Jennifer and Jack face the terrifying possibility that not all the guests may be human - and some of them want to feed.
Jack finished university three years ago, but he's still stuck in a dead-end job in a sinister call-centre in Manchester. When the beautiful - and rich - Jennifer comes into his life, he thinks he might have finally found his ticket out of there. The only problem? His boss is interested in Jennifer as well, and there's something strangely bestial about him . . .
So when Jennifer buys Fell House, a mysterious old mansion out in remote Cumbria, a house party on a legendary scale seems like the perfect escape. But as the party spins out of control, Jennifer and Jack face the terrifying possibility that not all the guests may be human - and some of them want to feed.
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Tom Fletcher is a writer of horror and dark fantasy novels and short fiction. His first three horror novels, The Leaping, The Thing on the Shore and The Ravenglass Eye, were followed by Gleam and Idle Hands, the first two books in The Factory Trilogy, his first fantasy series. His new novel, Witch-Bottle, is a deeply atmospheric modern gothic tale of grief and guilt. He lives in a remote village in Cumbria with his wife and family.
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