The Man Who Knew Too Much

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British writer GILBERT KEITH CHESTERTON (1874-1936) expounded prolifically about his wide-ranging philosophies-he is impossible to categorize as "liberal" or "conservative," for instance-across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Chesterton is best remembered, perhaps, as a teller of mystery tales. This 1922 collection of eight short mysteries includes all the stories starring the unlikely detective Horne Fisher, a man cut from the upper crust of Britain whose in-depth knowledge of the nation's powermongers often curtails his investigations into corruption at the highest levels of government. Sometimes chided for demonstrating Chesterton's supposed anti-Semitism, these stories remains an intriguing look at British society in the pre-Great War era. In this volume: . "The Face in the Target" . "The Vanishing Prince" . "The Soul of the Schoolboy" . "The Bottomless Well" . "The Fad of the Fisherman" . "The Hole in the Wall" . "The Temple of Silence" . "The Vengeance of the Statue"

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Gilbert Keith Chesterton was born in London, England, in 1874. He began his education at St Paul's School, and later went on to study art at the Slade School, and literature at University College in London. Chesterton wrote a great deal of poetry, as well as works of social and literary criticism. Among his most notable books are The Man Who Was Thursday, a metaphysical thriller, and The Everlasting Man, a history of humankind's spiritual progress. After Chesterton converted to Catholicism in 1922, he wrote mainly on religious topics. Chesterton is most known for creating the famous priest-detective character Father Brown, who first appeared in "The Innocence of Father Brown." Chesterton died in 1936 at the age of 62.

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