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Ray-Anne Blair isn’t buying it. She just wants Paul Reid to forget about the imaginary place he says he needs to return to—and to stop calling her Rain.
Everyone wants something. Jeremy Johns wants to do well at his job, but the new office is strange. So is his boss, Mr. Truitt. Annie Brucker wants to understand how she ended up back with her abusive ex. Zach, her son, wants to know if he should trust whatever it is that speaks to him from the darkness of his closet—something so heavy it makes the floorboards creak. Jonas Porter, Audra Farrelly, Po the silent monk, and Charlene Moseley want to know why their colleagues and prospective Journeymen have disappeared, though the answer might spell the end of all existence.
Welcome to The Margins, a place that shouldn’t be—but is, thanks to Paul and his friends. They thought they’d won. But they played right into the hands of an evil that anticipated their heroic act. Now realms are crossing over, the universe is collapsing, and it’s up to those who created the danger to neutralize it.
No one said it would be easy. No one’s sure it’s even possible.
But this is where the difficult and the impossible abound.
This is The Commons.
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Michael Alan Peck tells tales big and small. Life's magical, but it isn't always enough for a good story. So he makes up the rest.
A winner of the Illinois state libraries' Soon to be Famous Illinois Author Project, he’s been called “an author to watch” by Publishers Weekly. He’s made his living writing about TV, its celebrities, and its past. He’s also put food on the table reviewing restaurants and writing about travel.
He has a godawful memory, so he focuses on the written word. He likes to think that over time, he’s gotten better at it—the writing, not the remembering. He forgets important dates. He’s pretty good with movie lines. But after several years, he tends to tweak them. He prefers his versions over the real ones.
Funny goes a long way with him. Probably further than it should.
