The Musical Aspects of The Ancient Egyptian Vocalic Language
Про цю електронну книгу
This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more.
This book is divided into 10 chapters.
Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt—as being the SOURCE of all languages throughout the world.
Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system.
Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments.
Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds.
Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations.
Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones.
Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes.
Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound segmentation in musical flow and its equivalence in syllables stream—in all variations of length, duration, stress, junctures, boundaries, etc.
Chapter 9: Harmonic/Rhythmic Word Formation/Morphology [Musical Triad] covers the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs.
Chapter 10: Tonal/Musical Sentences & Their Types/Various Forms [Themes and their variations] covers the exact similarity between musical structural forms and sentence structures in grammar, syntax, semantics, functions and forms, etc.
