The Orange-Yellow Diamond: Detective Stories Collections

· Detective Stories Collections Cartea 23 · 谷月社
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On the southern edge of the populous parish of Paddington, in a parallelogram bounded by Oxford and Cambridge Terrace on the south, Praed Street on the north, and by Edgware Road on the east and Spring Street on the west, lies an assemblage of mean streets, the drab dulness of which forms a remarkable contrast to the pretentious architectural grandeurs of Sussex Square and Lancaster Gate, close by. In these streets the observant will always find all those evidences of depressing semi-poverty which are more evident in London than in any other English city. The houses look as if laughter was never heard within them. Where the window blinds are not torn, they are dirty; the folk who come out of the doors wear anxious and depressed faces. Such shops as are there are mainly kept for the sale of food of poor quality: the taverns at the corners are destitute of attraction or pretension. Whoever wanders into these streets finds their sordid shabbiness communicating itself: he escapes, cast down, wondering who the folk are who live in those grey, lifeless cages; what they do, what they think; how life strikes them. Even the very sparrows which fight in the gutters for garbage are less lively than London sparrows usually are; as for the children who sit about the doorsteps, they look as if the grass, the trees, the flowers, and the sunlight of the adjacent Kensington Gardens were as far away as the Desert of Gobi. Within this slice of the town, indeed, life is lived, as it were, in a stagnant backwash, which nothing and nobody can stir.

In an upper room of one of the more respectable houses in one of the somewhat superior streets of this neighbourhood, a young man stood looking out of the window one November afternoon. ...

 

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At age 20, Fletcher began working in journalism, as a sub-editor in London. He subsequently returned to his native Yorkshire, where he worked first on the Leeds Mercury using the pseudonym A Son of the Soil, and then as a special correspondent for the Yorkshire Post covering Edward VII's coronation in 1902.

Fletcher's first books published were poetry. He then moved on to write numerous works of historical fiction and history, many dealing with Yorkshire, which led to his selection as a fellow of the Royal Historical Society.

Fletcher wrote several novels of rural life in imitation of Richard Jefferies, beginning with The Wonderful Wapentake (1894). Michael Sadleir stated that Fletcher's historical novel, When Charles I Was King (1892), was his best work.

In 1914, Fletcher wrote his first detective novel and went on to write over a hundred more, many featuring the private investigator Ronald Camberwell.

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