The Poetry of May Sarton Volume Two: A Durable Fire, A Grain of Mustard Seed, and A Private Mythology
nov. del 2018 · Open Road Media
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Three compelling volumes of poetry from a feminist icon, poet, and author of the groundbreaking novel Mrs. Stevens Hears the Mermaids Singing.
A Durable Fire: This collection borrows its title from Sir Walter Raleigh, who wrote, “Love is a durable fire / In the mind ever burning.” It is a fitting sentiment for a collection on solitude, wherein the author finds herself full of emotion even in seclusion. A Durable Fire is a transformative work by a masterful poet.
A Grain of Mustard Seed: In this beautiful collection, Sarton explores dark and destructive femininity. She writes of “Crude power that forges a balance / Between hate and love,” finding an amalgam of dark and light within a single act. These graceful and nuanced poems join timeless ideas and specific moments in history.
A Private Mythology: To celebrate her fiftieth birthday, Sarton embarked on a pilgrimage around the world. Traveling through Japan, India, and Greece, she captured her spiritual discoveries in this vivid collection of poetry. Arresting images and meditations on the differences between East and West are rendered in this “colorful, polished” winner of the Emily Clark Balch Prize (Kirkus Reviews).
A Durable Fire: This collection borrows its title from Sir Walter Raleigh, who wrote, “Love is a durable fire / In the mind ever burning.” It is a fitting sentiment for a collection on solitude, wherein the author finds herself full of emotion even in seclusion. A Durable Fire is a transformative work by a masterful poet.
A Grain of Mustard Seed: In this beautiful collection, Sarton explores dark and destructive femininity. She writes of “Crude power that forges a balance / Between hate and love,” finding an amalgam of dark and light within a single act. These graceful and nuanced poems join timeless ideas and specific moments in history.
A Private Mythology: To celebrate her fiftieth birthday, Sarton embarked on a pilgrimage around the world. Traveling through Japan, India, and Greece, she captured her spiritual discoveries in this vivid collection of poetry. Arresting images and meditations on the differences between East and West are rendered in this “colorful, polished” winner of the Emily Clark Balch Prize (Kirkus Reviews).
Sobre l'autor
May Sarton (1912–1995) was born on May 3 in Wondelgem, Belgium, and grew up in Cambridge, Massachusetts. Her first volume of poetry, Encounters in April, was published in 1937 and her first novel, The Single Hound, in 1938. Her novels A Shower of Summer Days, The Birth of a Grandfather, and Faithful Are the Wounds, as well as her poetry collection In Time Like Air, all received nominations for the National Book Award.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her last memoir, Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
An accomplished memoirist, Sarton came out as a lesbian in her 1965 book Mrs. Stevens Hears the Mermaids Singing. Her memoir Journal of a Solitude (1973) was an account of her experiences as a female artist. Sarton spent her later years in York, Maine, living and writing by the sea. In her last memoir, Endgame: A Journal of the Seventy-Ninth Year (1992), she shares her own personal thoughts on getting older. Her final poetry collection, Coming into Eighty, was published in 1994. Sarton died on July 16, 1995, in York, Maine.
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