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David Boucher and Gary Browning provide a multi-faceted analysis of the political art of Bob Dylan. The contributions cover Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity and the American Dream. Dylan's work is examined from a variety of perspectives including the aesthetic theory of Kant, Adorno, Lyotard and Collingwood. The assembled authors are notable specialists in political theory, literary criticism and popular culture. They do not tackle Dylan from a single standpoint but collectively question how Dylan's work relates to the theory and practice of politics.
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RICHARD BROWN is Reader in Modern Literature in the School of English at the University of Leeds, UK ANDREW GAMBLE is Professor of Politics at the University of Sheffield, UK MIKE JONES is Course Director for the MA in Music Industry Studies at the Institute of Popular Music, University of Liverpool, UK LAWRENCE WILDE is Professor of Political Theory at The Nottingham Trent University, UK
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