The Sandman: The Wake

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· The Sandman Vol. 10, #70–75 · DC
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NEW YORK TIMES bestselling author Neil Gaiman's transcendent series SANDMAN is often hailed as the definitive Vertigo title and one of the finest achievements in graphic storytelling. Gaiman created an unforgettable tale of the forces that exist beyond life and death by weaving ancient mythology, folklore and fairy tales with his own distinct narrative vision. A groundbreaking and award-winning epic that masterfully creates a modern myth of dark fantasy, the Sandman series tells the tale of Morpheus, the King of Dreams. As a being of infinite power, Morpheus has ruled over the realm of the dreaming since the beginning of time. But now after a tragic fall, Morpheus is no more. In the touching and final chapter of this fantastical legend, friends, siblings, enemies and lovers gather to mourn and honor the fallen Lord. Realistically depicting the feelings of loss and despair associated with death, THE SANDMAN: THE WAKE is an emotional tale of remembrance and rebirth. In the last chapter of the SANDMAN saga, THE WAKE collects issues #70-75.

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NEIL GAIMAN is the NEW YORK TIMES best-selling author of AMERICAN GODS and CORALINE, as well as the Vertigo/DC Comics series SANDMAN. His other books include the novels ANANSI BOYS, NEVERWHERE and STARDUST (winner of the American Library Association's Alex Awards as one of 2000's top ten adult novels for young adults) and the short fiction collections M IS FOR MAGIC, FRAGILE THINGS and SMOKE AND MIRRORS. With Roger Avary, he is the screenwriter of the motion picture BEOWULF (Paramount, November 2007), direct by Robert Zemeckis. His illustrated novel STARDUST was released as a major motion picture Summer 2007 starring Michelle Pfeiffer and Robert De Niro. With Terry Pratchett, he is the author of the novel GOOD OMENS. He is also the author of the children's books THE WOLVES IN THE WALLS and THE DAY I TRADED MY DAD FOR TWO GOLDFISH. Among his many awards are the Eisner, Hugo, the Nebula, the World Fantasy and the Bram Stoker.

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